Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
The coupes and landaus formed in line under the reserved arcades, and
stopped for a moment, and from them alighted fashionable and other
women, in their opera-cloaks, trimmed with fur, feathers, and rare
laces--precious bodies, divinely set forth!
All the way along the celebrated stairway was a sort of fairy flight, an
uninterrupted mounting of ladies dressed like queens, whose throats and
ears scattered flashing rays from their diamonds, and whose long trains
swept the stairs.
The theater was filling early, for no one wished to lose a note of the
two illustrious artists; and throughout the vast amphitheater, under the
dazzling electric light from the great chandelier, a throng of people
were seating themselves amid an uproar of voices.
From the stage-box, already occupied by the Duchess, Annette, the Count,
the Marquis, Bertin and Musadieu, one could see nothing but the wings,
where men were talking, running about, and shouting, machinists in
blouses, gentlemen in evening dress, actors in costume. But behind
the great curtain one heard the deep sound of the crowd, one felt the
presence of a mass of moving, over-excited beings, whose agitation
seemed to penetrate the curtain, and to extend even to the decorations.
They were about to present _Faust_.
Musadieu was relating anecdotes about the first representatives of
this work at the Theatre Lyrique, of its half success in the beginning
followed by brilliant triumph, of the original cast, and their manner of
singing each aria. Annette, half turned toward him, listened with that
eager, youthful curiosity with which she regarded the whole world; and
at times she cast a tender glance at her fiance, who in a few days would
be her husband. She loved him, now, as innocent hearts love; that is
to say she loved in him all the hopes she had for the future. The
intoxication of the first feasts of life, and the ardent longing to be
happy, made her tremble with joy and expectation.
And Olivier, who saw all, and knew all, who had sounded all the depths
of secret, helpless, and jealous love, down in the furnace of human
suffering, where the heart seems to crackle like flesh over hot coals,
stood in the back of the box looking at them with eyes that betrayed his
torture.
The three blows were struck, and suddenly the sharp little tap of a
bow on the leader's desk stopped short all movement, all coughing and
whispering; then, after a brief and profound silence, the first measure
of the introduction arose, filling the house with the invisible and
irresistible mystery of the music that penetrates our bodies, thrills
our nerves and souls with a poetic and sensuous fever, mingling with the
limpid air we breathe a wave of sound to which we listen.
Olivier took a seat at the back of the box, painfully affected, as
if his heart's wounds had been touched by those accents. But when the
curtain rose he stood up again, and saw Doctor Faust, lost in sorrowful
meditation, seated in his alchemist's laboratory.
Public-domain text, read in full here on John Shaqi.
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