Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
And Bertin, who had been leaning over, looked with a mingled feeling of
irritation and disdain at the admired actor as he disappeared between
two wings, waddling a little, his legs stiff, one hand on his hip, in
the affected pose of a theatrical hero.
They began to talk of him. His social successes had made him as famous
as his talent. He had visited every capital, in the midst of feminine
ecstasies of those who, hearing before he appeared that he was
irresistible, had felt their hearts throb as he appeared upon the
stage. But it was said that he appeared to care very little for all this
sentimental delirium, and contented himself with his musical triumphs.
Musadieu related, in veiled language because of Annette's presence,
details of the life of this handsome singer, and the Duchess, quite
carried away, understood and approved all the follies that he was able
to create, so seductive, elegant, and distinguished did she consider
this exceptional musician! She concluded, laughing: “And how can anyone
resist that voice!”
Olivier felt angry and bitter. He did not understand how anyone could
really care for a mere actor, for that perpetual representation of
human types which never resembled himself in the least; that illusory
personification of imaginary men, that nocturnal and painted manikin who
plays all his characters at so much a night.
“You are jealous of them!” said the Duchess. “You men of the world
and artists all have a grudge against actors because they are more
successful than you.” Turning to Annette, she added: “Come, little one,
you who are entering life and look at it with healthy eyes, what do you
think of this tenor?”
“I think he is very good indeed,” Annette replied, with an air of
conviction.
The three strokes sounded for the second act, and the curtain rose on
the Kermesse.
Helsson's passage was superb. She seemed to have more voice than
formerly, and to have acquired more certainty of method. She had,
indeed, become the great, excellent, exquisite singer, whose worldly
fame equaled that of Bismarck or De Lesseps.
When Faust rushed toward her, when he sang in his bewitching voice
phrases so full of charm and when the pretty blonde Marguerite replied
so touchingly the whole house was moved with a thrill of pleasure.
When the curtain fell, the applause was tremendous, and Annette
applauded so long that Bertin wished to seize her hands to make her
stop. His heart was stung by a new torment. He did not speak between the
acts, for he was pursuing into the wings, his fixed thought now become
absolute hatred, following to his box, where he saw, putting more white
powder on his cheeks, the odious singer who was thus over-exciting this
child!
Public-domain text, read in full here on John Shaqi.
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