Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
At this quinquennial exposition which I attended, he received a gold
medal for his automata, and the best figure which he had on exhibition I
purchased at a good round price. It was an automaton writer and artist,
a most ingenious little figure, which sat at a table, and readily
answered with the pencil certain questions. For instance: if asked for
an emblem of fidelity, the figure instantly drew a correct picture of a
handsome dog; the emblem of love was shown in an exquisite drawing of a
little Cupid; the automaton would also answer many questions in writing.
I carried this curious figure to London and exhibited it for some time
in the Royal Adelaide Gallery, and then sent it across the Atlantic to
the American Museum.
During my very brief visit to Paris, Houdin was giving evening
performances in the Palais Royale, in legerdemain, and I was frequently
present by invitation. Houdin also took pains to introduce me to other
inventors of moving figures which I purchased freely, and made a
prominent feature in my Museum attractions. I managed, too, during my
short stay, to see something of the surface of the finest city in the
world.
And now, going to Paris the second time, I was very fortunate in making
the acquaintance of Mr. Dion Boucicault, who was then temporarily
sojourning in that city, and who at once kindly volunteered to advise
and assist me in regard to numerous matters of importance relating to
the approaching visit of the General. He spent a day with me in the
search for suitable accommodations for my company, and by giving me the
benefit of his experience, he saved me much trouble and expense. I have
never forgotten the courtesy extended to me by this gentleman.
I stopped at the Hotel Bedford, and securing an interpreter, began to
make my arrangements. The first difficulty in the way was the government
tax for exhibiting natural curiosities, which was no less than
one-fourth of the gross receipts, while theatres paid only eleven per
cent. This tax was appropriated to the benefit of the city hospitals.
Now, I knew from my experience in London, that my receipts would be so
large as to make twenty-five per cent of them a far more serious tax
than I thought I ought to pay to the French government, even for the
benefit of the admirable hospitals of Paris. Accordingly, I went to the
license bureau and had an interview with the chief. I told him I was
anxious to bring a “dwarf” to Paris, but that the percentage to be paid
for a license was so large as to deter me from bringing him; but letting
the usual rule go, what should I give him in advance for a two months’
license?
“My dear sir,” he answered, “you had better not come at all; these
things never draw, and you will do nothing, or so little that the
percentage need not trouble you.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account