Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
Besides giving these daily entertainments, the General appeared
occasionally for an hour, during the intermissions, at some place in the
suburbs; and for a long time he appeared every day at the Surrey
Zoölogical Gardens, under the direction of the proprietor, my particular
friend Mr. W. Tyler. This place subsequently became celebrated for its
great music hall, in which Spurgeon, the sensational preacher, first
attained his notoriety. The place was always crowded, and when the
General had gone through with his performances on the little stage, in
order that all might see him he was put into a balloon which, secured by
ropes, was then passed around the ground just above the people’s heads.
Some forty men managed the ropes and prevented the balloon from rising;
but, one day, a sudden gust of wind took the balloon fairly out of the
hands of half the men who had hold of the ropes, while others were
lifted from the ground, and had not an alarm been instantly given which
called at least two hundred to the rescue the little General would have
been lost.
In addition to other engagements, the General frequently performed in
Douglass’s Standard Theatre, in the city, in the play “Hop o’ my Thumb,”
which was written for him by my friend, Albert Smith, whom I met soon
after my first arrival in London and with whom I became very intimate.
After my arrival in Paris, seeing the decided success of “Petit Poucet,”
it occurred to me that I should want such a play when I returned to
England and the United States. So I wrote to Mr. Albert Smith, inviting
him to make me a visit in Paris, intending to have him see this play and
either translate or adapt it, or write a new one in English. He came and
stayed with me a week, visiting the Vaudeville Theatre to see “Petit
Poucet” nearly every night, and we compared notes and settled upon a
plan for “Hop o’ my Thumb.” He went back to London and wrote the play
and it was very popular indeed.
During our stay of three months, at this time, in Egyptian Hall, we made
occasional excursions and gave exhibitions at Brighton, Bath,
Cheltenham, Leamington and other watering places and fashionable
resorts. It was at the height of the season in these places, and our
houses were very large and our profits in proportion.
Public-domain text, read in full here on John Shaqi.
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