Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
Before night, stragglers had brought the number of people on Lady Hayes’
plantation up to one hundred, and soon after dark, we opened our
exhibition to an audience of about two hundred. The men were a pale,
haggard set of uncombed, uncouth creatures, whose constantly-moving jaws
and the streams of colored saliva exuding from the corners of their
mouths indicated that they were confirmed tobacco chewers. I never saw a
more stupid and brutish assemblage of human beings. The performance
delighted them; Pentland’s sleight-of-hand tricks astonished them and
led them to declare that he must be in league with the evil one; Signor
Vivalla’s ball-tossing and plate spinning elicited their loudest
applause; and Bob White’s negro songs and break-downs made them fairly
scream with laughter.
At last, the performance terminated and Pentland stepped forward and
delivered the closing address, which he had repeated, word for word, a
hundred times, and which was precisely as follows:
“Ladies and Gentlemen: The entertainments of the evening have now come
to a conclusion, and, we hope, to your general satisfaction.”
But now came a dilemma; the meaning of this announcement was quite
above the comprehension of the audience; they had not the remotest idea
that the performance was finished, and they sat like statues.
With a hearty laugh at Pentland I told him that his language was not
understood in this locality and that he must try again. He was
chagrined, and declared that he would not say another word. Little
Vivalla laughed, danced around like a monkey, and said, in his broken
English:
“Ah, ha! Signor Pentland; you no speak good Eenglish, hah! These
educated peoples no understand you, eh? By gar what d----d fools. Ah,
Signor Barnum, let me speaks to them; I will make them jump double
queek.”
I quite enjoyed the fun and said, “Well, Signor, go ahead.”
The little Italian jumped upon the stage and with a broad grimace and
tremendous gesture exclaimed--
“Eet is feenish!”
He then retired behind the curtain, but, of course, the audience did not
understand that he had told them the performance was finished. No one
would have understood him. Hence, the spectators sat still, wondering
what would come next. “By gar,” said Vivalla, losing his temper, “I will
give them a hint,” and he loosened the cord and down fell the curtain on
one side of the stage.
“Good, good,” cried out an enthusiastic “poor white,” giving his quid a
fresh roll to the other side of his mouth, “now we are going to have
something new.”
“I reckon they’s totin’ that plunder off to get ready for a dance,” said
a delicate “dipper,” making a lunge into her box for another mouthful of
the dust.
Things were becoming serious, and I saw that in order to get rid of
these people they must be addressed in plain language; so, walking upon
the stage, I simply said, making at the same time a motion for them to
go,--
“It is all over; no more performance; the show is out.”
Public-domain text, read in full here on John Shaqi.
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