Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
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Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
Since Japan has been opened to the outer world it has been discovered
that certain “artists” in that country manufacture a great variety of
fabulous animals, with an ingenuity and mechanical perfection well
calculated to deceive. No doubt my mermaid was a specimen of this
curious manufacture. I used it mainly to advertise the regular business
of the Museum, and this effective indirect advertising is the only
feature I can commend, in a special show of which, I confess, I am not
proud. I might have published columns in the newspapers, presenting and
praising the great collection of genuine specimens of natural history in
my exhibition, and they would not have attracted nearly so much
attention as did a few paragraphs about the mermaid which was only a
small part of my show. Newspapers throughout the country copied the
mermaid notices, for they were novel and caught the attention of
readers. Thus was the fame of the Museum, as well as the mermaid, wafted
from one end of the land to the other. I was careful to keep up the
excitement, for I knew that every dollar sown in advertising would
return in tens, and perhaps hundreds, in a future harvest, and after
obtaining all the notoriety possible by advertising and by exhibiting
the mermaid at the Museum, I sent the curiosity throughout the country,
directing my agent to everywhere advertise it as “From Barnum’s Great
American Museum, New York.” The effect was immediately felt; money
flowed in rapidly and was readily expended in more advertising.
While I expended money liberally for attractions for the inside of my
Museum, and bought or hired everything curious or rare which was offered
or could be found, I was prodigal in my outlays to arrest or arouse
public attention. When I became proprietor of the establishment, there
were only the words: “American Museum,” to indicate the character of the
concern; there was no bustle or activity about the place; no posters to
announce what was to be seen;--the whole exterior was as dead as the
skeletons and stuffed skins within. My experiences had taught me the
advantages of advertising. I printed whole columns in the papers,
setting forth the wonders of my establishment. Old “fogies” opened their
eyes in amazement at a man who could expend hundreds of dollars in
announcing a show of “stuffed monkey skins”; but these same old fogies
paid their quarters, nevertheless, and when they saw the curiosities and
novelties in the Museum halls, they, like all other visitors, were
astonished as well as pleased, and went home and told their friends and
neighbors and thus assisted in advertising my business.
Public-domain text, read in full here on John Shaqi.
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