Country life -- Fiction; Family -- Fiction; Louisville (Ky.) -- Fiction; Man-woman relationships -- Fiction
"What does he do?" she responded wearily.
"Contractor. Biggest in town." And then when they reached the street
and were climbing into the car, "Whadda you say to meeting me at five
o'clock to-morrow afternoon? Look at that Marlowe car you say you
like."
He was looking into her eyes with an odd sort of questioning
directness. She started to refuse, remembering her resolve to see him
less often. But then the thought of Joe Hooper presented itself. She
owed Joe a kindness or two. Perhaps if she delayed, Claybrook would
change his mind. She hesitated a moment.
"All right," she assented.
Claybrook laughed shortly. "You don't sound so keen, somehow. Don't
know if I can afford a Marlowe or not. You've a pretty extravagant
taste in automobiles. Only one of 'em higher priced than the
Marlowe."
"Oh, is it? I didn't know." And then, "But I don't see what my taste
has got to do with it. It's your affair, you know. I knew Joe Hooper,
that's all."
He was silent, but as he took leave of her at the doorway of her
apartment, he again brought up the subject in a quiet tone. "Meet me
at live to-morrow?"
"Surely," she agreed, and then went thoughtfully upstairs to bed.
As she slowly undressed she thought of Joe Hooper in his new "shepherd
plaid" suit and wondered if he were getting along. And she thought of
the Thompsons living in their bleak finery on the top floor of the
Ardmore, just sixty feet removed from the hideous clatter of the
traffic. And she speculated on the appearance of Mrs. Thompson with
all the hairs in her eyebrows that nature meant them to have. And then
she thought upon Claybrook's boyishness in wanting her to help him go
pick out a new toy. He was without guile, entirely without guile.
Suddenly she laughed aloud and then she switched off the light and
went smiling to bed.
CHAPTER XVI
They met at the Marlowe garage. When Mary Louise saw Claybrook and Joe
Hooper standing together in absorbed conversation, leaning each with
one foot propped on the running board of a big shiny new car in the
display room, she suddenly knew she had no business there. She saw
them through the big plate-glass window as she came along. It would be
hard to make her arrival seem casual. And when Joe Hooper raised his
head as she entered the doorway--he was wearing that gaudy suit--she
was confused.
Public-domain text, read in full here on John Shaqi.
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