Country life -- Fiction; Family -- Fiction; Louisville (Ky.) -- Fiction; Man-woman relationships -- Fiction
A swinging white finger of light came feeling across the sky in her
window. She watched it grope for the brass ball on the peak of the
spire, saw it slip off and fumble and come feeling again, settle with
a determined grasp as if to say, "There, I've got you," and then go
wandering off eastward across the sky. It was the searchlight from the
new Odeon theatre, she remembered. And it might be barely possible
that it was entirely an honourable affair. They might really care for
each other, grotesque as it might seem. Mary Louise granted for the
moment that she had been a detached, impersonal sort of companion and
such a thing might well be possible without her knowledge. But if such
were the case, Maida needs must be apprised at once of the
proprieties. The tea room was a business proposition purely. She would
wait a bit until the proper time and straighten out the kinks.
Somewhat relieved in mind, she leaned back in the chair and rocked
slowly. She began to grow restless, and thought for a moment to switch
on the light. But the room was a bare sort of thing, had nothing of
her in it, and the thought of its bleak primness was repellent. She
decided that a walk was what she needed, to clear out the cobwebs.
Slowly she arose to her feet and groping along the edge of the table,
felt her way to the door. An hour's walk would be enough; she would
not need her coat. Slowly and thoughtfully she opened the door.
Just beyond the threshold in the dim-lit hall stood Maida, fumbling in
her bag for her key. She looked up in alarm as Mary Louise opened the
door. It was ludicrous, the expression on the flat face. Behind her
stood the cook--the man from the army. He turned away as Mary Louise
stepped out and pretended to look out the hall window.
Mary Louise had decided on a more moderate course. She had decided to
forget the matter for the time being. But the sight of the boy, there
in the hall, was disconcerting. Nevertheless, it was with a forced
cheeriness that she spoke:
"Don't need your key, after all. I was just going out for a little
while." It was trite enough civility.
Maida looked up at her dully, and Mary Louise stepped to the left and
was on the point of passing on down the hall. As she walked away, the
boy moved to the door, fingering his hat, and took one step across the
threshold after Maida, who had preceded him, into the darkened room.
And then Mary Louise turned around. At her step he paused and looked
quickly up.
"There's a chair by the window," she said, indicating a group of
armchairs clustered there and a tall fern in a glazed pot on a
pedestal. "You can wait there." She had spoken on the impulse, and her
voice sounded strangely vibrant and remote even to herself, like the
voice of a third person. She was trembling slightly.
The boy looked at her, flushed a little, seemed undecided.
The light switched on and Maida appeared at the door.
"Come on in, Tim," she said, looking strangely at Mary Louise.
Public-domain text, read in full here on John Shaqi.
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