Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
At last they sight the whale. Ahab sees him from his hoisted perch at
the masthead.--"From this height the whale was now seen some mile or so
ahead, at every roll of the sea revealing his high, sparkling hump, and
regularly jetting his silent spout into the air."
The boats are lowered, to draw near the white whale. "At length the
breathless hunter came so nigh his seemingly unsuspectful prey that his
entire dazzling hump was distinctly visible, sliding along the sea as if
an isolated thing, and continually set in a revolving ring of finest,
fleecy, greenish foam. He saw the vast involved wrinkles of the slightly
projecting head, beyond. Before it, far out on the soft, Turkish rugged
waters, went the glistening white shadow from his broad, milky forehead,
a musical rippling playfully accompanying the shade; and behind, the
blue waters interchangeably flowed over the moving valley of his steady
wake; and on either side bright bubbles arose and danced by his side.
But these were broken again by the light toes of hundreds of gay fowl
softly feathering the sea, alternate with their fitful flight; and like
to some flagstaff rising from the pointed hull of an argosy, the tall
but shattered pole of a recent lance projected from the white whale's
back; and at intervals one of the clouds of soft-toed fowls hovering,
and to and fro shimmering like a canopy over the fish, silently perched
and rocked on this pole, the long tail-feathers streaming like pennons.
"A gentle joyousness--a mighty mildness of repose in swiftness, invested
the gliding whale--"
The fight with the whale is too wonderful, and too awful, to be quoted
apart from the book. It lasted three days. The fearful sight, on the
third day, of the torn body of the Parsee harpooner, lost on the
previous day, now seen lashed on to the flanks of the white whale by the
tangle of harpoon lines, has a mystic dream-horror. The awful and
infuriated whale turns upon the ship, symbol of this civilized world of
ours. He smites her with a fearful shock. And a few minutes later, from
the last of the fighting whale boats comes the cry: "'The ship! Great
God, where is the ship?'--Soon they, through the dim, bewildering
mediums, saw her sidelong fading phantom, as in the gaseous Fata
Morgana; only the uppermost masts out of the water; while fixed by
infatuation, or fidelity, or fate, to their once lofty perches, the
pagan harpooners still maintained their sinking lookouts on the sea. And
now concentric circles seized the lone boat itself, and all its crew,
and each floating oar, and every lance-pole, and spinning, animate and
inanimate, all round and round in one vortex, carried the smallest chip
of the _Pequod_ out of sight----"
The bird of heaven, the eagle, St. John's bird, the Red Indian bird, the
American, goes down with the ship, nailed by Tastego's hammer, the
hammer of the American Indian. The eagle of the spirit. Sunk!
Public-domain text, read in full here on John Shaqi.
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