Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
The horrific struggle round Cape Horn, homewards, is the crisis of the
Dana history. It is an entry into chaos, a heaven of sleet and black
ice-rain, a sea of ice and iron-like water. Man fights the element in
all its roused, mystic hostility to conscious life. This fight is the
inward crisis and triumph of Dana's soul. He goes through it all
consciously, enduring, _knowing._ It is not a mere overcoming of
obstacles. It is a pitting of the deliberate consciousness against all
the roused, hostile, anti-life waters of the Pole.
After this fight, Dana has achieved his success. He knows. He knows what
the sea is. He knows what the Cape Horn is. He knows what work is, work
before the mast. He knows, he knows a great deal. He has carried his
consciousness open-eyed through it all. He has won through. The ideal
being.
And from his book, we know too. He has lived this great experience for
us, we owe him homage.
The ship passes through the strait, strikes the polar death-mystery, and
turns northward, home. She seems to fly with new strong plumage, free.
"Every rope-yarn seemed stretched to the utmost, and every thread of the
canvas; and with this sail added to her the ship sprang through the
water like a thing possessed. The sail being nearly all forward, it
lifted her out of the water, and she seemed actually to jump from sea to
sea."
Beautifully the sailing-ship nodalizes the forces of sea and wind,
converting them to her purpose. There is no violation, as in a
steam-ship, only a winged centrality. It is this perfect adjusting of
ourselves to the elements, the perfect equipoise between them and us,
which gives us a great part of our life-joy. The more we intervene
machinery between us and the naked forces the more we numb and atrophy
our own senses. Every time we turn on a tap to have water, every time we
turn a handle to have fire or light, we deny ourselves and annul our
being. The great elements, the earth, air, fire, water are there like
some great mistress whom we woo and struggle with, whom we heave and
wrestle with. And all our appliances do but deny us these fine embraces,
take the miracle of life away from us. The machine is the great neuter.
It is the eunuch of eunuchs. In the end it emasculates us all. When we
balance the sticks and kindle a fire, we partake of the mysteries. But
when we turn on an electric tap there is as it were a wad between us and
the dynamic universe. We do not know what we lose by all our
labour-saving appliances. Of the two evils it would be much the lesser
to lose all machinery, every bit, rather than to have, as we have,
hopelessly too much.
When we study the pagan gods, we find they have now one meaning, now
another. Now they belong to the creative essence, and now to the
material-dynamic world. First they have one aspect, then another. The
greatest god has both aspects. First he is the source of life. Then he
is mystic dynamic lord of the elemental physical forces. So Zeus is
Father, and Thunderer.
Public-domain text, read in full here on John Shaqi.
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