sometimes turn to his next neighbour to vent his displeasure at the groundless allegations or fallacious arguments he was listening to, till at last, like a hunting leopard loosed from the leash, he would spring to his feet and deliver a passionate reply. His warmth would often be in excess of what the occasion required, and quite disproportioned to the importance of his antagonist. It was in fact the unimportance of the occasion that made him thus yield to his feeling. As soon as he saw that bad weather was coming, and careful seamanship wanted, his coolness returned, his language became measured, while passion, though it might increase the force of his oratory, never made him deviate a hand's breadth from the course he had chosen. The Celtic heat subsided, and the shrewd self-control of the Lowland Scot regained command. It was by oratory that Mr. Gladstone rose to fame and power, as, indeed, by it most English statesmen have risen, save those to whom wealth and rank and family connections used to give a sort of presumptive claim to high office, like the Cavendishes and the Russells, the Bentincks and the Cecils. And for many years, during which Mr. Gladstone was suspected as a statesman because, while he had ceased to be a Tory, he had not fully become a Liberal, his eloquence was the main, one might almost say the sole, source of his influence. Oratory was a power in English politics even a century and a half ago, as the career of the elder Pitt shows. During the last seventy years, years which have seen the power of rank and family connections decline, it has, although less cultivated as a fine art, continued to be almost essential to the highest success, and it still brings a man quickly to the front, though it will not keep him there should he prove to want the other branches of statesmanlike capacity.