Perhaps a doubtful service either to the Church or to the State. Yet even those who regret the connection, and who, surveying the long course of Christian history from the days of the Emperor Constantine down to our own, believe that the Christian Church would have been spiritually purer and morally more effective had she never become either the mistress or the servant or the ally of the State, but relied on her divine commission only, may wish that, when the day arrives for the ancient bond to be unloosed, it should be unloosed not through an embittered political struggle, but because the general sentiment of the nation, and primarily of religious men throughout the nation, has come to approve the change. ----- [19] An admirable life of Archbishop Tait by his son-in-law, Dr. R. T. Davidson (now Archbishop of Canterbury), and Canon Benham appeared in 1891. [20] They thought his public action scarcely consistent with the language he had used to Temple in private. ANTHONY TROLLOPE[21] When Mr. Anthony Trollope died (December 11, 1882) at the age of sixty-seven, he was the best known of our English writers of fiction, and stood foremost among them if the double test of real merit and wide popularity be applied. Some writers, such as Wilkie Collins, may have commanded a larger sale. One writer at least, Mr. George Meredith, had produced work of far deeper insight and higher imaginative power. But the gifts of Mr. Meredith had then scarcely begun to win recognition, and not one reader knew his name for five who knew Trollope's. So Mr. Thomas Hardy had published what many continue to think his two best stories, but they had not yet caught the eye of the general public. Mrs. Oliphant, high as was the general level of her work, and inexhaustible as her fertility appeared, had not cut her name so deep upon the time as Trollope did. Everything she did was good, nothing superlatively good. No one placed Trollope in the first rank of creative novelists beside Dickens or Thackeray, or beside George Eliot, who had died two years before. But in the second rank he stood high; and though other novelists may have had as many readers as he, none was in so many ways representative of the general character and spirit of English fiction. He had established his reputation nearly thirty years before, when Thackeray and Dickens were still in the fulness of their fame; and had maintained it during the zenith of George Eliot's. For more than a generation his readers had come from the best-educated classes as well as from those who lack patience or taste for anything heavier than a story of adventure. In this respect he stood above Miss Braddon, Mrs. Henry Wood, Ouida, and other heroines of the circulating libraries, and also above such more artistic or less sensational writers as William Black, Walter Besant, James Payn, and Whyte Melville. (The school of so-called realistic fiction had scarcely begun to appear.) None of these had, like