Studies in Folk-Song and Popular PoetryWilliams, Alfred M. (Alfred Mason)
History
Studies in Folk-Song and Popular Poetry
Williams, Alfred M. (Alfred Mason)
Folk songs -- History and criticism
Ballads on the subject of the slaying a would-be ravisher with his own
arms are common in popular poetry, and striking examples are found in
Scotch, French, and Spanish. There are several variants in Portuguese of
The Pilgrim Maid, but the best is that furnished by Almeida Garrett.
THE PILGRIM MAID.
Adown the lofty mountain green
The pilgrim maid descends:
No fairer and no purer maid
To sacred station wends.
Her long robe catches in the thorns,
That strew the grassy mat,
Her lovely eyes are downward cast,
And hidden by her hat.
A knight pursues her footsteps fast,
With evil in his eyes,
But he can hardly reach her side,
Though his best speed he tries.
At last he's caught her, as she stops
Beside the olive tree,
That at the holy hermit's door
Stands fair and tall to see.
She leans against the sacred wood,--
"By God and Saint Marie,
This holy place should be my guard,
Oh, do no wrong to me."
The false knight was too base of heart
To feel God's sacred grace.
He throws his arms around her form
In strong and fierce embrace.
In mad and furious wrestle,
Their struggling arms are wound;
The maiden's strength is crushed by his:
She's cast upon the ground.
But as she falls she pulls the dirk,
That in his belt she spies;
She strikes it deep to his false heart,
And out the black blood flies.
"Oh, pilgrim maid, I beg and pray
By God and Saint Marie,
Tell not of my dishonored death,
Or how you've punished me."
"I 'll tell the tale in your own land,
And in mine vaunt it too,
How such a villain, false and base,
With his own blade I slew."
She pulls the cord that swings the bell;
It makes a solemn din.
"Oh, hermit, pray that God may save
This soul that dies in sin,
And grant a grave in holy ground
His body to lie in."
The Portuguese ballads, which relate to domestic tragedies, without
reference to historic events, are numerous, and very frequently of a
high order of merit. They have the characteristics of folkpoetry in
their dramatic interjections and irregularities, but often have a
consistency and strength not found in the more romantic ballads. The
Death-Bed Marriage is a specimen of this class.
THE DEATH-BED MARRIAGE.
From the frontier of Castille the bitter news has flown,
The brave Dom Juan is dying; how his dear love will moan;
Three doctors grave were summoned, the most renowned for
skill,
If they to life restore him gold will their purses fill.
The youngest two declared that the malady was slight;
But when the elder entered he saw with clearer light.
To the dying man he said, "You've but three hours to live,
Public-domain text, read in full here on John Shaqi.
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