Studies in Folk-Song and Popular PoetryWilliams, Alfred M. (Alfred Mason)
History
Studies in Folk-Song and Popular Poetry
Williams, Alfred M. (Alfred Mason)
Folk songs -- History and criticism
He settled at Hawkhill, near Dundee,
but his health was broken, and his habits of industry destroyed, and he
lived recklessly and wretchedly, until death relieved him soon after, in
February, 1848. With one fitful gleam of prosperity William Thom's life
of half a century had been passed in such want and abject misery as
falls to the lot of few mortals, and amid a squalor and degradation of
surroundings to which the country poverty of Burns and Hogg, in healthy
air and in touch with the sweetness and majesty of nature, was rich and
fortunate. One is as surprised and almost shocked to find the flowers
of genuine poetry blooming in such a life, as to see a pot of violets
growing amid the whirling dust and rattling noise of a weaving factory
or in the window of a dingy whiskey shop. That his life was not
worse than it was under the influences which affected it, is no less
wonderful. "To us," he says, "virtues were known only by their shadows,"
and that sentence tells all the hopeless misery of an existence in which
squalor and unremitting toil were relieved only by the fitful gleams
of stupefying indulgence, and in which an ever-pressing want meant the
deprivation not only of the comforts, but of the necessities of life.
That such a page of human history should be possible and common in the
record of a civilized society is more appalling than the devastation
of war, or the crimes of natural malignity, and we must wonder how any
spark of virtue or genius survived it.
The interest in the life of a man who has written poetry does not make
its value. It may add an element of curiosity to biographical history,
but it is upon its own inherent quality that it must depend for
consideration and remembrance. Extraordinary circumstances in the life
and character of the writer may lend an additional interest to his
poetry, and cause it to be studied more attentively from a psychological
point of view, but it must first be genuine poetry, and the questions
of the personality and circumstances of its author are subordinate ones.
Other thieves and blackguards like Francis Villon have doubtless written
verses in the intervals of their debauches, and other ploughmen like
Burns and other weavers like Thom have unquestionably done so under
equally difficult and depressing conditions, but that fact has not
kept their poetry alive or their names in remembrance. There were
contemporaries of Thom, fishermen, turf-cutters, handicraftsmen, and
publicans, whose names are preserved in local history and who even
published forgotten volumes, who wrote verses under circumstances no
less extraordinary than his own, but the world has taken no note of
them, and is not called upon to do so. The question in regard to William
Thom, as to all other poets, is as to what contribution, small or great,
he made to the stock of genuine poetry in form, expression, and essence,
fitting it to stand alone and to speak with a living voice to the
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