Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
Chief among the holy places of Piraeus was a sanctuary of Saviour Zeus.
Fine paintings by distinguished artists adorned the cloisters attached
to it, and statues stood in the open air. The festival of the god
included a regatta and a procession through the streets. The expenses of
the sanctuary were partly defrayed by a small tax levied on every vessel
which put into the port. Moreover, persons who had escaped from
danger—for example, seafaring men who had come safe to land—commonly
brought thank-offerings to the shrine. From a fragment of an ancient
comedy we learn that, among the long-shore sharks who lay in wait on the
quays for sailors fresh from a voyage, there were cooks with an eye to
business. For in the passage in question one of the fraternity tells us
how, whenever he spied a jolly tar just stepping ashore, ready for a
spree, with a bulging purse in his fist and an expansive smile on his
sunburnt face, he used to rush up to him, shake him warmly by the hand,
drop a delicate allusion to Saviour Zeus, and proffer his services at
the sacrifice. The bait took, and soon he was to be seen heading for the
sanctuary with the sailor man in tow.
Better known to English readers than the sanctuary of Saviour Zeus was
the altar of the Unknown God which St. Paul, and after him Pausanias,
saw at Phalerum, the old port of Athens. In a dialogue attributed to
Lucian, a certain Critias raps out a number of oaths by the old heathen
gods and goddesses, and for each of them he is gravely taken to task by
his comrade Triephon, who has just been initiated into the sublime
mysteries of the Christian theology by a person of a Hebrew cast of
countenance, whom he describes as a bald-pated long-nosed Galilean. At
last Critias swears by the Unknown God at Athens, and this oath is
allowed to pass unchallenged by Triephon, who winds up the dialogue with
this edifying advice: “Let us, having found out and worshipped the
Unknown God at Athens, raise our hands to heaven and give him thanks
that we have been found worthy to be subject unto so great a power; but
let us leave other folk to babble, satisfied ourselves with applying to
them the proverb 'Hippoclides doesn’t care.'”
Public-domain text, read in full here on John Shaqi.
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