Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
XI. THE HALL OF INITIATION AT ELEUSIS.—The great Hall of Initiation, to
which the paved road leads from the smaller portal, is a vast single
chamber about a hundred and seventy feet square, the sides of which face
north, south, east, and west. The whole of the west side, together with
the western parts of the northern and southern sides, are bounded by the
rock of the acropolis, which has been cut away perpendicularly to make
room for the hall. The roof was supported by six rows of columns, seven
columns in each row: the bases of all these columns except one are still
to be seen in their places. Eight tiers of steps, partly cut in the
rock, partly built, ran all round the chamber except at the entrances,
of which there were six, namely, two on the north, two on the east, and
two on the south. On these tiers of steps the initiated probably sat
watching the performance of the mysteries which took place in the body
of the hall. It is calculated that about three thousand people could
find room on them. The steps, originally narrow, were widened at a later
date by a casing of marble. That this marble casing of the steps is a
late work appears from the use of mortar to fasten it on.
There are passages of ancient writers which seem to imply that besides
the place to which the initiated had access there was an inner Holy of
Holies called the _anaktoron_ or _megaron_, which none but the
high-priest of the mysteries might enter, and which, being suddenly
thrown open, disclosed to the view of the awestruck beholders the most
sacred objects of their religious veneration lit up by a blaze of
dazzling light. But no trace of any inner chamber or enclosure has been
discovered in the great Hall of Initiation. It may therefore be
suggested that the _anaktoron_ or _megaron_ was perhaps nothing but the
body of the hall, which may have been screened by curtains from the
spectators sitting in darkness on the tiers of seats that ran all round
it, till suddenly the curtain rose and revealed the vast hall
brilliantly illuminated, with the gorgeously attired actors in the
sacred drama moving mazily in solemn procession or giddy dance out and
in amongst the forest of columns that rose from the floor of the hall,
while the strains of grave or voluptuous music filled the air. Then,
when all was over, the curtain would as suddenly descend, leaving the
spectators in darkness and silence, with nothing but the memory of the
splendid pageant that had burst upon them and vanished like a dream.
Public-domain text, read in full here on John Shaqi.
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