Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
XIII. MEGARA.—From Eleusis to Megara by road or railway is about
fourteen miles. The road first passes along the northern side of the low
ridge which formed the acropolis of Eleusis; then it turns down to the
sea and follows the shore. The plain of Eleusis is divided from the
plain of Megara by a chain of wooded hills which advances southward from
Mount Cithaeron to the shore of the bay. The road skirts the foot of
these hills, ascending and descending, traversing olive-groves, and
winding round little bays and headlands, commanding views, ever shifting
but ever beautiful, of the coast of Salamis across the blue and
blue-green waters of the lake-like bay, which is here so narrow that the
white monastery of Phaneromene, with its clustered domes and turrets,
can be plainly seen standing among green fields on the opposite shore.
Then, when the last spur of the hills is rounded, the plain of Megara,
covered with olives and vines, and backed by high mountains, opens out
before us. In the distance can be distinguished the picturesque
oriental-looking town of Megara, with its white houses rising in
terraces, one above the other, on the sides of two isolated hills in the
far corner of the plain: the higher of the two hills used to be crowned
by a square mediaeval tower.
The modern town is chiefly confined to the western hill, the southern
slope of which it occupies to the summit. Its narrow steep streets, and
white-washed, flat-roofed, windowless houses, with low doorways opening
into courts shaded here and there by a fig-tree, have much the
appearance of an Arab village. The dazzlingly white walls make, in the
brilliant sunshine, an excellent background for the gay costumes of the
women, the bright colours of which (red, green, blue, violet) add to the
Eastern effect of the scene.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account