Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
This new town, which has sprung up since the War of Independence, is
charming. The streets, crossing each other at right angles, are broad
and pleasant. Many of the houses are surrounded by gardens, and the soft
verdure of the trees peeping over the low walls is grateful and
refreshing to the eyes. The gardens abound with orange-trees, which,
when laden with fruit, remind one of the gardens of the Hesperides. In
spring the air, even in the streets, is heavy with rich perfumes. On the
south the town is bounded by the river of Magoula, which here flows from
west to east, to fall into the Eurotas a little below the town, opposite
the steep heights of Therapnae. Westward the plain extends three or four
miles to the foot of the magnificent range of Taygetus, which rises
abruptly with steep rocky sides to the height of nearly eight thousand
feet. A conspicuous landmark to the west, viewed from Sparta, is the
sharp conical hill of Mistra, leaning upon, but still sharply defined
against, the Taygetus range. Though really a mountain over two thousand
feet high, it is completely dwarfed by the immense wall of Taygetus
rising at its back.
The country between Sparta and Taygetus offers points of the most
picturesque beauty, especially if, instead of following the highroad,
which is rather tame, you strike straight across for Mistra from the
ruined theatre of Old Sparta. It was a bright evening in spring or early
summer (towards the end of April, but summer is earlier in Greece than
in England) when I took this walk, and the impression it made on me was
ineffaceable. The orange-groves, the gardens fresh and green on all
sides, men taking their ease in the warm evening air at a picturesque
tavern under a great spreading tree, children playing in the green
lanes, a group of Spartan maidens filling their pitchers at a spring
that gurgled from a grey time-worn wall, a river (the Magoula) spanned
by a quaint old bridge and winding through groves of orange-trees
spangled with golden fruit, and towering above all the stupendous
snow-clad range of Taygetus in the west, with the sunset sky above
it—all this made up a picture or rather a succession of pictures, of
which it is impossible to convey in words the effect. It was a dream of
Arcadia, the Arcadia of poets, and of painters like the Poussins.
Public-domain text, read in full here on John Shaqi.
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