LII. THE GULF OF CORINTH.—After describing the view from the monastery of Troupia on the hill of Bura, Leake makes the following remarks on the scenery of the Gulf of Corinth, which are worth transcribing because they convey the impression made by this wonderfully beautiful gulf on one who in general was not given to dwell on the charms of nature. He says: “I doubt whether there is anything in Greece, abounding as it is in enchanting scenery and interesting recollections, that can rival the Corinthiac Gulf. There is no lake scenery in Europe that can compete with it. Its coasts, broken into an infinite variety of outline by the ever-changing mixture of bold promontory, gentle slope, and cultivated level, are crowned on every side by lofty mountains of the most pleasing and majestic forms; the fine expanse of water inclosed in this noble frame, though not so much frequented by ships as it ought to be by its natural adaptation to commerce, is sufficiently enlivened by vessels of every size and shape to present at all times an animated scene. Each step in the Corinthiac Gulf presents to the traveller a new prospect, not less delightful to the eye than interesting to the mind, by the historical fame and illustrious names of the objects which surround him. And if, in the latter peculiarity, the celebrated panorama of the Saronic Gulf, described by Sulpicius, be preferable, that arm of the Aegaean is in almost every part inferior to the Corinthian sea in picturesque beauty; the surrounding mountains are less lofty and less varied in their heights and outlines, and, unless where the beautiful plain of Athens is sufficiently near to decorate the prospect, it is a picture of almost unmitigated sterility and rocky wildness exhibited in every possible form of mountain, promontory, and island. It must, however, be admitted that it is only by comparison that such a scene can be depreciated.” I can only confirm this estimate of the superior charms of the Gulf of Corinth. Its waters seemed to me of an even deeper blue; and the delicacy of the morning and evening tints—azure, lilac, and rose—on the mountains is such that it is hard in looking at them to believe they are of the solid earth; so unsubstantial, so fairy-like do they seem, like the gorgeous phantasmagoria of cloudland or mountains seen in dreams.