Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
There was more justification, perhaps, for the practice, originated by
Pericles, of supplying the poorer citizens from the public treasury with
the price of admission to the theatre. For in an age when the study of
the poets formed a chief element of education, and when the great dramas
of Aeschylus, Sophocles, and Euripides were being put on the stage in
all their freshness, such a measure might almost be regarded as a state
provision for the education of the citizens. It was part of the policy
of Pericles at once to educate and delight the people by numerous and
splendid festivals, processions, and shows. But the good was mixed with
seeds of evil, which took root and spread, till, in the days of
Demosthenes, the money which should have been spent in fighting the
enemies of Athens was squandered in spectacles and pageants. The
Spectacular Fund or _Theorikon_ has been called the cancer of Athens.
Vast sums were further spent by Pericles in adorning the city with those
buildings, which even in their ruins are the wonder of the world.
Amongst these were the Parthenon, or Temple of the Virgin, and the
Erechtheum, both on the acropolis, the former completed in 438 B.C., the
latter left unfinished at Pericles’s death; the magnificent Propylaea or
vestibule to the acropolis, built between 437 and 432; and the Odeum or
music-hall, on the south-eastern slope of the acropolis, completed
before 444. The musical contests instituted by Pericles, and for which
he himself laid down the rules and acted as judge, took place in the
Odeum. Many artists and architects were entrusted with the execution of
these great works, but under the direction of the mastermind of Phidias,
sculptor, architect, painter—the Michelangelo of antiquity.
But Pericles fortified as well as beautified Athens. It had been the
policy of Themistocles to make her primarily a naval and commercial
power, and to do so he strengthened the marine, and gave to the city as
far as possible the advantages of an insular situation by means of
fortifications, which rendered both it and its port impregnable on the
land side. By thus basing the Athenian state on commerce instead of,
like Solon, on agriculture, he at the same time transferred the
political predominance to the democratic or progressive party, which is
as naturally recruited from a commercial as a conservative or
aristocratic party is from an agricultural population. This policy was
fully accepted and carried out by Pericles. It was in his time and
probably by his advice that the Long Walls were built, which, connecting
Athens with Piraeus, converted the capital and its seaport into one vast
fortress. Further, in order to train the Athenians in seamanship, he
kept a fleet of sixty ships at sea eight months out of every year.
Public-domain text, read in full here on John Shaqi.
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