of them did with the same subjects on which he touched in his _Description of Greece_. Yet the existing fragments of Polemo hardly justify us in supposing that Pausanias was acquainted with the writings of his learned predecessor. Certainly they lend no countenance to the view that he borrowed descriptions of places and monuments from them. This will appear from an examination of those fragments of Polemo which deal with subjects falling within the scope of Pausanias’s work. We shall look, first, at the things mentioned by both writers, and, second, at the things mentioned by Polemo alone. The fragments are numbered as in the editions of L. Preller and Ch. Müller, to which the reader is referred for the Greek text. First, then, let us take the things mentioned by both Polemo and Pausanias. [Sidenote: Polemo and Pausanias compared.] Fragment ii. In his description of the Acropolis at Athens, Polemo mentioned a sculptor Lycius, son of Myron. So does Pausanias in his description of the Acropolis. Fragment iii. In his description of the Acropolis, Polemo mentioned a decree forbidding women of loose character to take the names of any of the great quadriennial festivals. Pausanias mentions no such decree, but among the paintings which he describes in the Propylaea is one of Alcibiades “containing emblems of the victory won by his team at Nemea.” Now we know from other writers that in this picture Alcibiades was portrayed reclining in the lap of Nemea. The model who sat for the personification of Nemea was probably a woman of the sort who were forbidden by the decree to take the name of a quadriennial festival, and the sight of the picture may have led Polemo to mention the decree. If this was so—and the reasoning though a little circuitous is plausible—it becomes probable that Polemo saw and described the picture of Alcibiades to which Pausanias refers. The probability is strengthened, almost to the point of certainty, by our knowledge that Polemo did describe the paintings in the Propylaea, though no details of his description have survived. Fragment iv. In his description of the Acropolis, Polemo mentioned that Thucydides was buried at the Melitian gate. So does Pausanias in his description of the Acropolis. Fragment vi. In his description of the pictures in the Propylaea, which probably formed part of his treatise in four books on the Acropolis, Polemo mentioned three Athenian festivals at which torch-races were held, namely the Panathenian festival, the festival of Hephaestus, and the festival of Prometheus. Pausanias in his description of the Academy mentions that torch-races were run from an altar of Prometheus in the Academy to the city.