Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
Lastly, it has been assumed that Pausanias’s account of the temple of
Apollo at Delphi is irreconcileable with the remains of the building and
with inscriptions relating to it which have recently been discovered by
the French at Delphi. The combined evidence of architecture and
inscriptions proves conclusively that the temple built by the
Alcmaeonids in the sixth century B.C. was afterwards destroyed, probably
by an earthquake, and that it was rebuilt in the fourth century B.C. Yet
Pausanias, it is said, describes the temple of the sixth century B.C. as
if it still existed in his time. Let us look at the facts in the light
of the French discoveries. Observe, then, that Pausanias mentions the
Gallic shields hanging on the architrave of the temple. These shields
were captured in 279 B.C. Hence the temple which he describes cannot
have been the old one built in the sixth century B.C., since that
temple, as we now know, was afterwards destroyed and rebuilt in the
fourth century B.C. But did Pausanias believe it to be the old one?
There is nothing to show that he did, but on the contrary there is a
good deal to show that he did not. In the first place, he does not say
that the temple was built by the Alcmaeonids. He says it was built for
the Amphictyons by the architect Spintharus. The date of Spintharus is
otherwise unknown, but we have no reason to suppose that he lived in the
sixth rather than in the fourth century B.C. In the second place,
Pausanias tells us that the first sculptures for the gables of the
temple were executed by Praxias, a pupil of Calamis, but that as the
building lasted some time, Praxias died before it was finished, and the
rest of the sculptures were executed by another artist. Now we have the
evidence of Pausanias himself that the sculptor Calamis was at work as
late as 427 B.C. His pupil Praxias may therefore easily, at least in the
opinion of Pausanias, have been at work at the end of the fifth century
B.C. or in the early part of the fourth century B.C., and this is
precisely the time when, if we may judge from the historical and
inscriptional evidence, the old temple was destroyed and preparations at
least for rebuilding it were being made. At all events, Pausanias cannot
possibly have supposed that the pupil of a man who was at work in 427
B.C. can have executed sculptures for a temple that was built in the
sixth century B.C. In short, neither was the temple which Pausanias
describes the temple of the sixth century B.C. nor can he possibly have
supposed it to be so. The temple he describes was in all probability the
temple of the fourth century B.C. His statement that the temple was long
in building is amply confirmed by the inscriptions, which prove that the
process of reconstruction dragged on over a period of many years.
Public-domain text, read in full here on John Shaqi.
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