Nachmanides’ inconsistency has also proved beneficial in another respect. For mysticism has, by its over‐emphasising of the divine in man, shown a strong tendency to remove God altogether and replace Him by the creature of His hands. Witness only the theological bubble of Shabbethai Tsebi—happily it burst quickly enough—which resulted in mere idolatry (in more polite language, Hero Worship) on the one side, and in the grossest antinomianism on the other. Nachmanides, however, with a happy inconsistency, combined with the belief of man’s origin in God, a not less strong conviction of man’s liability to sin, of the fact that he _does_ sin—even the patriarchs were not free from it, as we have seen above—and that this sin _does_ alienate man from God. This healthy control over man’s extravagant idea of his own species was with Nachmanides also a fruit of the Torah, within the limits of which everything must move, the mystic and his aspirations included, whilst its fair admixture of 365 _Do not’s_ with 248 _Do’s_ preserved him from that “holy doing nothing” which so many mystics indulged in, and made his a most active life. Much of this activity was displayed in Palestine, “the land to which the providence of God is especially attached,” and which was, as with R. Judah Hallevi, always “his ideal home.” There he not only completed his _Commentary on the Pentateuch_, but also erected synagogues, and engaged in organising communities, whose tone he tried to elevate both by his lectures and by his sermons. His career in Palestine was not a long one, for he lived there only about three years, and in 1270 he must already have been dead. A pretty legend narrates that when he emigrated to Palestine his pupils asked him to give them a sign enabling them to ascertain the day of his death. He answered them that on that day a rift in the shape of a lamp would be seen in the tombstone of his mother. After three years a pupil suddenly noticed this rift, when the mourning over the Rabbi began. Thus, stone, or anything else earthly, breaks finally, and the life of the master passes into light. What life meant to him, how deeply he was convinced that there is no other life but that originating in God, how deeply stirred his soul was by the consciousness of sin, what agonies the thought of the alienation from God caused him, how he felt that there is nothing left to him but to throw himself upon the mercy of God, and how he rejoiced in the hope of a final reunion with Him—of all these sentiments we find the best expression in the following religious poem, with which this paper may conclude. Nachmanides composed it in Hebrew, and it is still preserved in some rituals as a hymn, recited on the Day of Atonement. It is here given in the English translation of Mrs. Henry Lucas.(101)