The only criterion, then, which we have been able to find for the fulfilment of the purpose, for the truth of the idea as representing an object in the absolute system, is the sense of wholeness, the "pause of satisfaction," which we experience in realizing such specific purposes as "singing in tune." And if it be said again: "Precisely so; this only shows how intimate is the relation between our experience and the absolute system of ideas;" then must it also be said once more, either that the absolute system can be nothing more than an abstraction of the element of wholeness or wholing in our experience, or that thus far the relation appears to rest upon sheer assumption. Again, it may be insisted, as suggested at the outset of this discussion, that the idea can well have two purposes: one to help constitute and solve the specific problems of daily life; the other to represent the absolute system. Very well, we must then make out a case for the latter. If the purposes are to be different, the purpose to represent the Absolute should have a criterion of its own. This we have not been able to find. On the contrary, whenever pushed to the point of stating a criterion for the representation of the absolute system, we have had to appeal, in every case, to the fulfilment of a specific finite purpose. And even if this purpose to represent the absolute system had some apparent standard of its own, we should not be content to leave the matter so. We should scarcely be satisfied to observe as a mere matter of fact that the idea has a reconstructive function, and _also_ a representative function. Such a brute dualism would be intolerable. IV. SUMMARY AND CONCLUSIONS