Here we have concisely stated at the outset of the lectures the position which we have seen to be fraught with so many difficulties: the position, namely, which accepts to start with the opposition of the world as idea and the world as fact, as something given, instead of something to be accounted for; and which assumes that this opposition stands in the way of reaching reality, whereas it possibly may be of the very essence of reality. To be sure, the above statement of this opposition between the world as fact and as idea is but the expository starting-point. And it is true that the rest of the argument is occupied in the attempt to close this breach. But, as we have seen, except where the idea is expounded as a specific purpose, arising out of a specific experience of unrest, such as singing out of tune, etc.--except in this case, the breach is taken as found and the attempt to heal it is made by working forward from the opposition as given instead of back to its source. This opposition, of course, has its forward goal, but the difficulty is to find it without an exploration of its source. It is back in that matrix out of which the opposition has arisen that the line of direction to the goal is to be found. Moreover, in starting from this opposition of fact and idea as given, the only method of quelling it seems to be either that of reducing one side to terms of the other, or of appealing to some new, and therefore external unifying, agency. But if the factors in the opposition are found, not one in submission _to_ the other, nor having the "primacy" _over_ the other, but as co-ordinate and mutually determining functions, developed from a common matrix and co-operating in the work of reconstructing experience, some of the difficulties involved in the alternative methods just mentioned appear to drop out.[207] The point may be clearer if we recur to the passage and ask just what is meant by "the defiantly mysterious," "baffling," and "capricious" character of the world as fact--as "brute reality." First, if by the world as "fact;" as "brute reality," we mean experience so brute that it is not yet "lighted up with ideas," it is difficult to see how it could be mysterious or capricious, since mystery and caprice appear only when experience ceases to be taken merely as it comes and an inquiry for connections and meanings has begun. That is to say, there can be neither mystery nor caprice except in relation to some sort of order. And order is always a matter of ideas. But it is sufficient to submit Mr. Royce's own statement on this point: We all of us from moment to moment have experience. This experience comes to us in part as brute fact; light and shade, sound and silence, pain and grief and joy.... These given facts flow by; and were they all, our world would be too much of a blind problem for us even to be puzzled by its meaningless presence.[208]