Studies in the Poetry of Italy, Part I. RomanMiller, Frank Justus
Philosophy
Studies in the Poetry of Italy, Part I. Roman
Miller, Frank Justus
Latin poetry -- History and criticism
And this is that which mainly distinguishes him from Horace--his
tremendous moral earnestness, his fiery indignation. His spirit did not
allow him to play with his theme; there were hard blows to strike at
outbreaking sins, and he would strike them. And if venial faults were
struck as hard as more serious offenses, that was a proof not of
inconsistency, but of an earnestness that could not stop to distinguish;
if he writes of practices too shameful for telling in the hearing of
polite ears, it is because his righteous indignation was in no mood to
mince words, but would hold up vice in all its hideousness to the fatal
light. He speaks with frankness of shameful sins, but only to hurl his
denunciations at them. He is always in a rage,--strenuous where Horace
is gently satirical and whimsical; didactic and straightforward where
Horace is conversational and dramatic. At the same time he paints most
vivid pictures, filling in the lines with tremendous sweeps of his
rhetorical brush.
He tells us that he was fairly driven to write satire by the very
atmosphere and daily occurrences of folly and sin around him.[D]
[D] The quotations from Juvenal which follow are taken from the
excellent prose version of Leeper.
For who so tolerant of this wrong-headed city, who so callous,
that he can contain himself when lawyer Matho's brand-new litter
comes along, filled with his Greatness, and after him the betrayer
of his distinguished friend, who will soon finish off the remnants
of our nobility already preyed upon.... Is not one moved to fill a
bulky note-book right in the middle of the cross-roads, when a man
is carried past, already indulging in six bearers, showing himself
to view on both sides--a forger who has made himself aristocrat
and millionaire with a little tablet and a damp seal? Now you are
confronted by a lady of position, who, when her husband is
thirsty, just before she hands him the mild Calenian, puts in a
dash of poison, and, like a superior Lucusta, teaches her
unsophisticated kinswomen to carry their livid husbands to burial
right through the town and all its gossip.... It is to crime that
men owe their pleasure-grounds, their castles, banquets, old
silver, and goblets with goat's figure in relief.... When nature
refuses, sheer scorn produces verse--the best it can.
He cannot abide the Greeks. His national pride is touched at the thought
that not only do they swarm in Rome, monopolizing by their superior
shrewdness all profitable employments, but that Rome itself has gone
crazy after them, and things Greek are all the rage.
Public-domain text, read in full here on John Shaqi.
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