Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
10. Who was Clorinda, by whom was she loved, and how did
she die?
11. Tell all you know about Erminia.
12. What part in the poem is played by Armida?
13. Where was Rinaldo during most of the fighting, and
how was he brought back to camp?
14. How does the poem end?
15. Mention a few other writers of the sixteenth
century.
BIBLIOGRAPHY
A complete translation of Jerusalem Delivered by Wiffen is
published in the Bohn Library.
CHAPTER VIII
THE PERIOD OF DECADENCE AND THE REVIVAL
In the history of Italian literature, Dante, to expand a figure already
used, stands at the end of the Middle Ages like a lofty, solitary
mountain peak; behind him the low, level plain fades away into darkness;
before him the landscape, shone upon by the first rays of a new epoch,
slopes gradually upward until with Petrarch, Boccaccio, and the great
writers of the Renaissance, we have a lofty and widely extended plateau.
After Tasso there is a sudden descent to a low, level, uniform plain, in
which Italian literature dragged itself along till the middle of the
eighteenth century, when again an upward slope is noticed, which becomes
more and more accentuated as we approach the present.
Among the causes of the period of degradation, from 1560 to 1750, the
leading ones must be sought for in the political and religious condition
of Italy at that time. Spain had become possessed of a large part of the
country, especially in the north and south, while the pope, who ruled
the center, in temporal as well as spiritual matters, was the firm ally
of the Spaniards. The country thus under foreign dominion, was oppressed
and robbed without mercy. The Spanish viceroys, and their ignoble
imitators, the Italian nobles, lived a life of luxury and vice,
surrounded by bandits and brigands, and by paralyzing all commerce and
industry, brought on famine and pestilence.
The religious condition was no better. The Catholic reaction, or counter
reformation, which culminated in the Council of Trent, fastened still
more firmly the chains of medieval superstition and dogmatism on the
mass of the Italian people. The absolute power of the pope was
reaffirmed; two mighty instruments were forged to crush out heresy and
opposition--the Inquisition, which effectually choked out free thought,
and the Jesuits, who found their way stealthily into all ranks and
classes of society. Such was the condition of Italy at this time, "a
prolonged, a solemn, an inexpressibly heartrending tragedy." The effect
on the social life of Italy was almost fatal. Everywhere, to use the
almost exaggerated language of Symonds, were to be seen idleness,
disease, brigandage, destitution, ignorance, superstition, hypocrisy,
vice, ruin, pestilence, "while over the Dead Sea of social putrefaction
floated the sickening oil of Jesuit hypocrisy."
Public-domain text, read in full here on John Shaqi.
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