Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
Boccaccio differed from Petrarch in being an ardent admirer and
indefatigable student of Dante. Petrarch had once declared that he had
never read the Divine Comedy. The influence of Dante on Boccaccio is
seen on almost every page of his poetry, and it was in reward of his
services in promoting the study of the former's works that in 1373 he
was invited by Florence to lecture on the Divine Comedy (for the first
time in Italy) in the university.
Boccaccio's character was in many respects an attractive one; he was
honest, sincere, and modest; a faithful friend, a lover of true
literature; and, above all, of a lovable and gentle disposition;
_Giovanni della Tranquillità_, his friends called him--"John of the
quiet mind," as we may translate it. The gravest accusation made against
him, and one, alas! only too well founded, is his immorality. In his
early years, and even later in life, his manners were light, and the
effects thereof are too often reflected in his books. Before condemning
him too harshly, however, we must bear in mind the low state of morals
that marked all society at that time. Toward the end of his life
Boccaccio became converted by a strange event. It seems that a certain
Carthusian monk, Pietro de' Petroni--who, by the austerity of his life
and his religious exaltation, had won a reputation for holiness--died at
Siena, May 29, 1361. Fourteen days before his death he entered into a
trance, in which he had a vision of the saints in heaven and the damned
in hell. When he awoke he declared that he had been commanded by Christ
to warn a number of distinguished men of the error of their ways. Among
these was Boccaccio. Being too sick to go himself, Petroni sent his
disciple, Gioachino Ciani, to fulfill his commission. The latter came to
Florence, told Boccaccio of his master's vision, and then, in fiery
language, urged him to see to the salvation of his soul, and to
repudiate his immoral writings, else he would soon die and his soul be
lost forever. Boccaccio was deeply affected by this strange embassy. In
the first moments of depression he resolved to give up all study, burn
his books, write no more, and spend the rest of life in religious
exercises. From this violent action, however, he was saved by a sensible
letter from Petrarch. Yet the effect did not pass away. Ever after this
he was more serious and thought more of religious matters. He lost his
former zest in life; his gaiety and serenity of temper became clouded.
After a youth of enjoyment the evening of life came on gray and cold.
He died December 21, 1375, in Certaldo, not far from Florence.
Public-domain text, read in full here on John Shaqi.
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