Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
Each one of these one hundred stories has an individual character of its
own. While reading them we see passing in picturesque procession before
our eyes the whole of Italian society of the times, kings and princes,
knights and peasants, merchant, artist, mechanic, priest, and monk.
There are not wanting earnest and serious stories, but the comic and
satirical element prevails; especially are the vices of the clergy
scourged, that fruitful source of all European medieval literature. The
avaricious and licentious priests and monks are everywhere held up to
the scornful laughter of his readers.
All this is expressed in an admirable prose style, with perfect
adaptation of local color, with excellent delineation of character and
insight into human nature, and with the inimitable skill in narration of
the born story-teller.
The popularity of Boccaccio was, and is still, enormous, in spite of the
immorality of certain of his stories. He is read to-day in the
elementary schools of Italy (in emendated editions), and his influence
on modern literature is incalculable. In English literature alone most
of the great writers have found subjects for poems, stories, and dramas
in the Decameron, among them Chaucer, Dryden, Shakespeare, Keats,
Tennyson, and Longfellow.
The following story, which I have translated with some slight
condensation, is not only the best and most famous of the Decameron, but
it illustrates on the one hand the vast antiquity of the short-story
(existing, as it does, not only in all European languages in the Middle
Ages, but running back its roots to the early antiquity of India), and
on the other hand, the influence of Boccaccio, "Patient Griselda" having
become almost a household word in modern literature, and having
furnished themes for poet, painter, and sculptor. John Addington Symonds
has declared that no Greek poem equals Boccaccio's story of Griselda for
tenderness.
A long time ago there lived a certain marquis of Saluzzo, named
Walter, who spent his time chiefly in hunting, with never a
thought of marriage. His vassals not liking this state of
affairs often urged him to take to himself a wife, so that in
case of death, he might not be without an heir, nor they without
a master. To all this Walter made answer as follows: "My
friends, you urge me to do that which I had resolved not to do,
considering how difficult it is to find a proper mate, and how
hard is the life of him who finds one not suited to him. Yet
since it pleases you to bind me with these chains, I will
agree--on this condition, however, that I choose my wife myself,
so that if evil come to me, I may have no one to blame but
myself. But bear this in mind: if you do not honor her as
becomes your lady, you shall prove to your cost how grievous a
thing it is to have forced me to wed against my own desire."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account