Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
We have seen that Petrarch is considered the founder of the Renaissance
in Italy. He died in 1374, and it took a century and more to complete
the work he inaugurated. The whole of the fifteenth century is of
importance in the history of Italian literature, not so much for what it
produced, as for the fact that it prepared the way for the so-called
"Golden Age" of the sixteenth century. During these hundred years
classical scholarship became more and more widely diffused, being no
longer confined to a few cities or princely courts, but spread over all
Italy and through all classes of society.
Yet Florence still remained the great center of this influence. Under
the powerful family of the Medici the city had risen to great power and
prosperity, and amid all the political confusion of the times it
continued to be characterized by a keen intellectual and æsthetic life.
The immediate successors of Petrarch and Boccaccio in the spread of the
new learning, Luigi Marsili and Coluccio Salutati, lived and worked at
Florence. Later came Poggio Bracciolini, who equaled Petrarch himself as
an eager and successful collector of manuscripts; Marsilio Ficino, who
founded under Cosimo de' Medici the famous Platonic academy; Pico della
Mirandola, the youthful prodigy of learning and mystical enthusiast; and
Politian, the greatest scholar and most elegant poet of his day. These
men studied not only Latin as Petrarch had done, but obtained a good
knowledge of Greek. They plunged eagerly into the study of Plato, who
for so many centuries had been unknown to western Europe, and who now
threatened to take the place of Aristotle in the world of philosophy.
They gathered statues, coins, and inscriptions, and studied ruins in
order to obtain as clear an idea as possible of the ancient world. It is
hard for us to-day to get an idea of the eager enthusiasm and intense
delight in study of these men of the Renaissance; they must have felt as
Wordsworth did when he cried out:
"Bliss was it in that dawn to be alive,
But to be young was very heaven."
The scholars of the time enjoyed an immense popularity. A new caste of
society arose, not dependent on birth or wealth, but on learning and
intelligence. Princes and cities sought for their services, for which
they paid large sums. Everywhere they were received as equal to the
noblest in the land. The movement reached its highest point in the first
half of the sixteenth century, when the intellectual and artistic life
of Italy was of almost incredible greatness. In proof of this statement
we need only mention a few names, such as Michel Angelo, Raphael,
Leonardo da Vinci, Ariosto, and Macchiavelli; Tasso belongs to the same
group, though born out of due season.
Public-domain text, read in full here on John Shaqi.
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