Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
At the youth's prayer from parted cloud outshone
(Were it the work of faith or accident)
The moon, as fair, as when Endymion
She circled in her naked arms: with tent,
Christian or Saracen, was Paris-town
Seen in that gleam, and hill and plain's extent.
With these Mount Martyr and Mount Lery's height,
This on the left, and that upon the right.
The silvery splendor glistened yet more clear,
There where renowned Almontes's son lay dead.
Faithful Medoro mourned his master dear,
Who well agnized the quartering white and red,
With visage bathed in many a bitter tear
(For he a rill from either eyelid shed),
And piteous act and moan, that might have whist
The winds, his melancholy plaint to list;
Hurrying their steps, they hastened, as they might,
Under the cherished burden they conveyed;
And now approaching was the lord of light,
To sweep from heaven the stars, from earth the shade,
When good Zerbino, he, whose valiant sprite
Was ne'er in time of need by sleep down-weighed,
From chasing Moors all night, his homeward way
Was taking to the camp at dawn of day.
He has with him some horsemen in his train,
That from afar the two companions spy.
Expecting thus some spoil or prize to gain,
They, every one, towards that quarter his.
"Brother, behoves us," cries young Cloridane,
"To cast away the load we bear, and fly:
For 'twere a foolish thought (might well be said)
To lose _two_ living men, to save _one_ dead;"
And dropt the burden, weening his Medore
Had done the same by it, upon his side;
But that poor boy, who loved his master more,
His shoulders to the weight, alone, applied;
Cloridan hurrying with all haste before,
Deeming him close behind him or beside;
Who, did he know his danger, him to save
A thousand deaths, instead of one, would brave.
So far was Cloridan advanced before,
He heard the boy no longer in the wind;
But when he marked the absence of Medore,
It seemed as if his heart was left behind.
"Ah! how was I so negligent (the Moor
Exclaimed), so far beside myself, and blind,
That I, Medoro, should without thee fare,
Nor know when I deserted thee or where?"
So saying, in the wood he disappears,
Plunging into the maze with hurried pace;
And thither, whence he lately issued, steers,
And, desperate, of death returns in trace.
Cries and the tread of steeds this while he hears,
And word and threat of foemen, as in chase;
Lastly Medoro by his voice is known,
Disarmed, on foot, 'mid many horse, alone.
Public-domain text, read in full here on John Shaqi.
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