It cannot, however, be said that the use of clothing for the sake of showing the natural forms of the body has everywhere been developed. In Japan, where nakedness is accepted without shame, clothes are worn to cover and conceal, and not to reveal, the body. It is so, also, in China. A distinguished Chinese gentleman, who had long resided in Europe, once told Baelz that he had gradually learnt to grasp the European point of view, but that it would be impossible to persuade his fellow-countrymen that a woman who used her clothes to show off her figure could possibly possess the least trace of modesty. (Baelz, _Zeitschrift für Ethnologie_, 1901, Heft 2, p. 179.) The great artistic elaboration often displayed by articles of ornament or clothing, even when very small, and the fact--as shown by Karl von den Steinen regarding the Brazilian _uluri_--that they may serve as common motives in general decoration, sufficiently prove that such objects attract rather than avoid attention. And while there is an invincible repugnance among some peoples to remove these articles, such repugnance being often strongest when the adornment is most minute, others have no such repugnance or are quite indifferent whether or not their aprons are accurately adjusted. The mere presence or possession of the article gives the required sense of self-respect, of human dignity, of sexual desirability. Thus it is that to unclothe a person, is to humiliate him; this was so even in Homeric times, for we may recall the threat of Ulysses to strip Thyestes.[52]