Sacher-Masoch's biography has been written with intimate knowledge and much candor by C.F. von Schlichtegroll (_Sacher-Masoch und der Masochismus_, 1901) and, more indirectly, by his first wife Wanda von Sacher-Masoch in her autobiography (_Meine Lebensbeichte_, 1906; French translation, _Confession de ma Vie_, 1907). Schlichtegroll's book is written with a somewhat undue attempt to exalt his hero and to attribute his misfortunes to his first wife. The autobiography of the latter, however, enables us to form a more complete picture of Sacher-Masoch's life, for, while his wife by no means spares herself, she clearly shows that Sacher-Masoch was the victim of his own abnormal temperament, and she presents both the sensitive, refined, exalted, and generous aspects of his nature, and his morbid, imaginative, vain aspects. Leopold von Sacher-Masoch was born in 1836 at Lemberg in Galicia. He was of Spanish, German, and more especially Slavonic race. The founder of the family may be said to be a certain Don Matthias Sacher, a young Spanish nobleman, in the sixteenth century, who settled in Prague. The novelist's father was director of police in Lemberg and married Charlotte von Masoch, a Little Russian lady of noble birth. The novelist, the eldest child of this union, was not born until after nine years of marriage, and in infancy was so delicate that he was not expected to survive. He began to improve, however, when his mother gave him to be suckled to a robust Russian peasant woman, from whom, as he said later, he gained not only health, but "his soul"; from her he learned all the strange and melancholy legends of her people and a love of the Little Russians which never left him. While still a child young Sacher-Masoch was in the midst of the bloody scenes of the revolution which culminated in 1848. When he was 12 the family migrated to Prague, and the boy, though precocious in his development, then first learned the German language, of which he attained so fine a mastery. At a very early age he had found the atmosphere, and even some of the most characteristic elements, of the peculiar types which mark his work as a novelist.