Studies in the Psychology of Sex, Volume 4: Sexual Selection In ManEllis, Havelock
Science
Studies in the Psychology of Sex, Volume 4: Sexual Selection In Man
Ellis, Havelock
Sex; Sex (Psychology)
The consideration of vision has led us into a region in which, more
definitely and precisely than is the case with any other sense, we can
observe and even hope to measure the operation of sexual selection in man.
In the conception of feminine beauty we possess an instrument of universal
extension by which it seems possible to measure the nature and extent of
such selection as exercised by men on women. This conception, with which
we set out, is, however, by no means so precise, so easily available for
the attainment of sound conclusions, as at first it may seem to be.
It is true that beauty is not, as some have supposed, a mere matter of
caprice. It rests in part on (1) an objective basis of æsthetic character
which holds all its variations together and leads to a remarkable
approximation among the ideals of feminine beauty cherished by the most
intelligent men of all races. But beyond this general objective basis we
find that (2) the specific characters of the race or nation tend to cause
divergence in the ideals of beauty, since beauty is often held to consist
in the extreme development of these racial or national anthropological
features; and it would, indeed, appear that the full development of racial
characters indicates at the same time the full development of health and
vigor. We have further to consider that (3) in most countries an important
and usually essential element of beauty lies in the emphasis of the
secondary and tertiary sexual characters: the special characters of the
hair in woman, her breasts, her hips, and innumerable other qualities of
minor saliency, but all apt to be of significance from the point of view
of sexual selection. In addition we have (4) the factor of individual
taste, constituted by the special organization and the peculiar
experiences of the individual and inevitably affecting his ideal of
beauty. Often this individual factor is merged into collective shapes,
and in this way are constituted passing fashions in the matter of beauty,
certain influences which normally affect only the individual having become
potent enough to affect many individuals. Finally, in states of high
civilization and in individuals of that restless and nervous temperament
which is common in civilization, we have (5) a tendency to the appearance
of an exotic element in the ideal of beauty, and in place of admiring that
kind of beauty which most closely approximates to the type of their own
race men begin to be agreeably affected by types which more or less
deviate from that with which they are most familiar.
Public-domain text, read in full here on John Shaqi.
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