When Christianity absorbed the whole of the European world this strict avoidance of even the sight of "the flesh," although nominally accepted by all as the desirable ideal, could only be carried out, thoroughly and completely, in the cloister. In the practice of the world outside, although the original Christian ideals remained influential, various pagan and primitive traditions in favor of nakedness still persisted, and were, to some extent, allowed to manifest themselves, alike in ordinary custom and on special occasions. How widespread is the occasional or habitual practice of nakedness in the world generally, and how entirely concordant it is with even a most sensitive modesty, has been set forth in "The Evolution of Modesty," in vol. i of these _Studies_. Even during the Christian era the impulse to adopt nudity, often with the feeling that it was an especially sacred practice, has persisted. The Adamites of the second century, who read and prayed naked, and celebrated the sacrament naked, according to the statement quoted by St. Augustine, seem to have caused little scandal so long as they only practiced nudity in their sacred ceremonies. The German Brethren of the Free Spirit, in the thirteenth century, combined so much chastity with promiscuous nakedness that orthodox Catholics believed they were assisted by the Devil. The French Picards, at a much later date, insisted on public nakedness, believing that God had sent their leader into the world as a new Adam to reestablish the law of Nature; they were persecuted and were finally exterminated by the Hussites. In daily life, however, a considerable degree of nakedness was tolerated during mediæval times. This was notably so in the public baths, frequented by men and women together. Thus Alwin Schultz remarks (in his _Höfische Leben zur Zeit der Minnesänger_), that the women of the aristocratic classes, though not the men, were often naked in these baths except for a hat and a necklace. It is sometimes stated that in the mediæval religious plays Adam and Eve were absolutely naked. Chambers doubts this, and thinks they wore flesh-colored tights, or were, as in a later play of this kind, "apparelled in white leather" (E.K. Chambers, _The Mediæval Stage_, vol. i, p. 5). It may be so, but the public exposure even of the sexual organs was permitted, and that in aristocratic houses, for John of Salisbury (in a passage quoted by Buckle, _Commonplace Book_, 541) protests against this custom.