We must, as Bölsche declares (loc. cit.), accustom ourselves to gaze on the naked human body exactly as we gaze at a beautiful flower, not merely with the pity with which the doctor looks at the body, but with joy in its strength and health and beauty. For a flower, as Bölsche truly adds, is not merely "naked body," it is the most sacred region of the body, the sexual organs of the plant. "For girls to dance naked," said Hinton, "is the only truly pure form of dancing, and in due time it must therefore come about. This is certain: girls will dance naked and men will be pure enough to gaze on them." It has already been so in Greece, he elsewhere remarks, as it is to-day in Japan (as more recently described by Stratz). It is nearly forty years since these prophetic words were written, but Hinton himself would probably have been surprised at the progress which has already been made slowly (for all true progress must be slow) towards this goal. Even on the stage new and more natural traditions are beginning to prevail in Europe. It is not many years since an English actress regarded as a calumny the statement that she appeared on the stage bare-foot, and brought an action for libel, winning substantial damages. Such a result would scarcely be possible to-day. The movement in which Isadora Duncan was a pioneer has led to a partial disuse among dancers of the offensive device of tights, and it is no longer considered indecorous to show many parts of the body which it was formerly usual to cover.