It would seem, however, that the palmiest days of Japanese prostitution lay some centuries back. Up to the middle of the eighteenth century Japanese prostitutes were highly accomplished in singing, dancing, music, etc. Towards this period, however, they seem to have declined in social consideration and to have ceased to be well educated. Yet even to-day, says Matignon ("La Prostitution au Japon," _Archives d'Anthropologie Criminelle_, October, 1906), less infamy attaches to prostitution in Japan than in Europe, while at the same time there is less immorality in Japan than in Europe. Though prostitution is organized like the postal or telegraph service, there is also much clandestine prostitution. The prostitution quarters are clean, beautiful and well-kept, but the Japanese prostitutes have lost much of their native good taste in costume by trying to imitate European fashions. It was when prostitution began to decline two centuries ago, that the geishas first appeared and were organized in such a way that they should not, if possible, compete as prostitutes with the recognized and licensed inhabitants of the Yoshiwara, as the quarter is called to which prostitutes are confined. The geishas, of course, are not prostitutes, though their virtue may not always be impregnable, and in social position they correspond to actresses in Europe. In Korea, at all events before Korea fell into the hands of the Japanese, it would seem that there was no distinction between the class of dancing girls and prostitutes. "Among the courtesans," Angus Hamilton states, "the mental abilities are trained and developed with a view to making them brilliant and entertaining companions. These 'leaves of sunlight' are called _gisaing_, and correspond to the geishas of Japan. Officially, they are attached to a department of government, and are controlled by a bureau of their own, in common with the Court musicians. They are supported from the national treasury, and they are in evidence at official dinners and all palace entertainments. They read and recite; they dance and sing; they become accomplished artists and musicians. They dress with exceptional taste; they move with exceeding grace; they are delicate in appearance, very frail and very human, very tender, sympathetic, and imaginative." But though they are certainly the prettiest women in Korea, move in the highest society, and might become concubines of the Emperor, they are not allowed to marry men of good class (Angus Hamilton, _Korea_, p. 52).