In England, where change is slow, this tendency to the humanization of prostitution may be less pronounced. But it certainly exists. In the middle of the last century Lecky wrote (_History of European Morals_, vol. ii, p. 285) that habitual prostitution "is in no other European country so hopelessly vicious or so irrevocable." That statement, which was also made by Parent-Duchâtelet and other foreign observers, is fully confirmed by the evidence on record. But it is a statement which would hardly be made to-day, except perhaps, in reference to special confined areas of our cities. It is the same in America, and we may doubtless find this tendency reflected in the report on _The Social Evil_ (1902), drawn up by a committee in New York, who gave it (p. 176) as one of their chief recommendations that prostitution should no longer be regarded as a crime, in which light, one gathers, it had formerly been regarded in New York. That may seem but a small step in the path of humanization, but it is in the right direction. It is by no means only in lands of European civilization that we may trace with developing culture the refinement and humanization of the slighter bonds of relationship with women. In Japan exactly the same demands led, several centuries ago, to the appearance of the geisha. In the course of an interesting and precise study of the geisha Mr. R.T. Farrer remarks (_Nineteenth Century_, April, 1904): "The geisha is in no sense necessarily a courtesan. She is a woman educated to attract; perfected from her childhood in all the intricacies of Japanese literature; practiced in wit and repartee; inured to the rapid give-and-take of conversation on every topic, human and divine. From her earliest youth she is broken into an inviolable charm of manner incomprehensible to the finest European, yet she is almost invariably a blossom of the lower classes, with dumpy claws, and squat, ugly nails. Her education, physical and moral, is far harder than that of the _ballerina_, and her success is achieved only after years of struggle and a bitter agony of torture.... And the geisha's social position may be compared with that of the European actress. The Geisha-house offers prizes as desirable as any of the Western stage. A great geisha with twenty nobles sitting round her, contending for her laughter, and kept in constant check by the flashing bodkin of her wit, holds a position no less high and famous than that of Sarah Bernhardt in her prime. She is equally sought, equally flattered, quite as madly adored, that quiet little elderly plain girl in dull blue. But she is prized thus primarily for her tongue, whose power only ripens fully as her physical charms decline. She demands vast sums for her owners, and even so often appears and dances only at her own pleasure.