I have tried to show that children seek to bring meaning, and a consistent meaning, into the jumble of communications about the unseen world to which they are apt to be treated. I agree with Miss Shinn that children about three and four are not disposed to theologise, and are for the most part simply confused by the accounts of God which they receive. Many of the less bright of these small minds may remain untroubled by the incongruities lurking in the mixture of ideas, half mythological or poetical, half theological, which is thus introduced. Such children are no worse than many adults, who have a wonderful power of entertaining contradictory ideas by keeping them safely apart in separate chambers of their brain. The intelligent thoughtful child on the other hand tries at least to reconcile and to combine in an intelligible whole. His mind has not, like that of so many adults, become habituated to the water-tight compartment arrangement, in which there is no possibility of a leakage of ideas from one group into another. Hence his puzzlings, his questionings, his brave attempts to reduce the chaos to order. I think it is about time to ask whether parents are doing wisely in thus adding to the perplexing problems of early days. V. THE LITTLE LINGUIST. _Prelinguistic Babblings._ No part of the life of a child appeals to us more powerfully perhaps than the first use of our language. The small person’s first efforts in linguistics win us by a certain graciousness, by the friendly impulse they disclose to get mentally near us, to enter into the full fruition of human intercourse. The difficulties, too, which we manage to lay upon the young learner of our tongue, and the way in which he grapples with these, lend a peculiar interest, half pathetic, half humorous, to this field of infantile activity. To the scientific observer of infancy, moreover, the noting of the stages in the acquisition of speech is of the first importance. Language is sound moulded into definite forms and so made vehicular of ideas; and we may best watch the unfoldings of childish thought by attending to the way in which the word-sculptor takes the plastic sound-material and works it into its picturesque variety of shapes.