But I am disposed to think that there is yet another element in this
childish fear. I have said that darkness gives a positive sensation: we
_see_ it, and the sensation, apart from any difference of signification
which we afterwards learn to give to it, is of the same kind that is
obtained by looking at a dull black surface. To the child the difference
between a black object and a dark unillumined space is as yet not clear,
and I believe it will be found that children tend to materialise or to
‘reify’ darkness. When, for example, a correspondent tells me that
darkness was envisaged by her when a child as “a crushing power,” I
think I see traces of this childish feeling. I seem able to recall my
own childish sense of a big black something on suddenly waking and
opening the eyes in a very dark room.
But there is still another thing to be noticed in this sensation of
darkness. The black field is not uniform; some parts of it show less
black than others, and the indistinct and rude pattern of comparatively
light and dark changes from moment to moment; while now and again more
definite spots of brightness may focus themselves. The varying activity
of the retina would seem to account for this apparent changing of the
black scene. What, my reader may not unnaturally ask, has this to do
with a child’s fear of the dark? If he will recall what was said about
the facility with which a child comes to see faces and animal forms in
the lines of a cracked ceiling, or the veining of a piece of marble, he
will, I think, recognise the drift of my remarks. These slight and
momentary differences in the blackness, these fleeting rudiments of a
pattern, may serve as a sensuous base for the projected images; the
child with a strongly excited fancy sees in these dim traces of the
black formless waste definite forms. These will naturally be the forms
with which he is most familiar, and since his fancy is at the moment
tinged with melancholy they will be gloomy and disturbing forms. Hence
we may expect to hear of children seeing the forms of terrifying living
things in the dark.
Public-domain text, read in full here on John Shaqi.
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