Children, as may be seen in this story, are particularly interested in
the movements of things. Movement is the clearest and most impressive
manifestation of life. All apparently spontaneous or self-caused
movements are accordingly taken by children, as by primitive man, to be
the sign of life, the outcome of something analogous to their own
impulses. Hence the movements of falling leaves, of running water, of
feathers and the like are specially suggestive of life. Wind owes much
of its vitality, as seen in the facile personification of it by the
poet, to its apparently uncaused movements. Some children in the Infant
Department of a London Board School were asked what things in the room
were alive, and they promptly replied the smoke and the fire. Big things
moving by an internal mechanism of which the child knows nothing, more
especially engines, are of course endowed with life. A little girl of
thirteen months offered a biscuit to a steam-tram, and the author of
_The Invisible Playmate_ tells us that his little girl wanted to stroke
the “dear head” of a locomotive. A child has been known to ask whether a
steam-engine was alive. In like manner, savages on first seeing the
self-moving steamer take it for a big animal. The fear of a dog at the
sight of an unfamiliar object appearing to move of itself, as a parasol
blown along the ground by the wind, seems to imply a rudiment of the
same impulse to interpret self-movement as a sign of life.[46]
-----
Footnote 46:
See P. Lombroso, _op. cit._, p. 26 ff.
-----
The child’s impulse to give life to moving things may lead him to
overlook the fact that the movement is caused by an external force, and
this even when the force is exerted by himself. The boy C. on finding
the cushion he was sitting upon slipping from under him in consequence
of his own wriggling movements pronounced it alive. In like manner
children, as suggested above, ascribe life to their moving playthings.
Thus, C.’s sister when five years old stopped one day trundling her
hoop, and turning to her mother, exclaimed: “Ma, I do think this hoop
must be alive, it is so sensible: it goes where I want it to”. Another
little girl two and a quarter years old on having a string attached to a
ball put into her hand, and after swinging it round mechanically, began
to notice the movement of the ball, and said to herself, “Funny ball!”
In both these cases, although the movement was directly caused by the
child, it was certainly in the first case, and apparently in the second,
attributed to the object.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account