Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
A prettier picture cannot be conceived than that drawn by Homer of
Nausicaa with her handmaidens thronging together in the cart, which
jogs downward through the olive-gardens to the sea. The princess holds
the whip and drives; and when she reaches the stream's mouth by the
beach, she loosens the mules from the shafts, and turns them out to
graze in the deep meadow. Then the clothes are washed, and the luncheon
is taken from the basket, and the game of ball begins. How the ball
flew aside and fell into the water, and how the shrill cries of the
damsels woke Odysseus from his sleep, every one remembers. The girls
are fluttered by the sight of the great naked man, rugged with brine
and bruised with shipwreck. Nausicaa alone, as becomes a princess,
stands her ground and questions him. The simple delicacy with which
this situation is treated makes the whole episode one of the most
charming in Homer. Nothing can be prettier than the change from pity
to admiration, expressed by the damsel, when Odysseus has bathed in
running water, and rubbed himself with oil and put on goodly raiment
given him by the girls. Pallas sheds treble grace upon his form, and
makes his hair to fall in clusters like hyacinth-blossoms, so that an
artist who moulds figures of gilt silver could not shape a comelier
statue. The princess, with yesternight's dream still in her soul,
wishes he would stay and be her husband. The girlish simplicity of
Nausicaa is all the more attractive because the Phæacians are the
most luxurious race described by Homer. The palace in which she dwells
with her father is all of bronze and silver and gold; it shines like
the sun, and a blue line marks the brazen cornice of the walls. Dogs
of silver and gold, Hephæstus's work, which never can grow old through
length of days, protect the entrance. Richly woven robes are cast upon
the couches in the hall, and light is shed upon the banquet-tables
from blazing torches in the hands of golden boys. Outside the palace
grows the garden with well-divided orchard-rows, where pears and
figs and pomegranates and burnished apples and olives flourish all
the year long. The seasons change not in Phæacian land for winter
or for summer. The west wind is always blowing. Pear follows after
pear, and apple after apple, and grape-bunch after grape-bunch, in a
never-ending autumn dance. Vintage, too, is there; and there are the
trim flower-beds; and through the garden flow two fountains. The whole
pleasure-ground seems to have been laid out with geometrical Greek
taste. It is a paradise of neatness, sun-bright, clear to take in at
a glance. In this delightful palace dwells Alcinous, a kind old man,
among his sons; and much delight they take in dance and song and games
of strength. The young men, whose beards are but just growing, leap
in rhythmic movement to the flute; the elder and more muscular run or
wrestle, and much contempt do these goodly fellows, like English lads,
reserve for men who are not athletes.
Public-domain text, read in full here on John Shaqi.
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