Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
Such is the mythus of the Fall, as imagined by the early Greeks. Man in
rebellion against heaven, pitted in his weakness at a game of mutual
deception against almighty force, is beaten and is punished. Woman,
the instrument of his chastisement, is thrust upon him by offended and
malignant deity; the folly of man receives her, and repents too late.
Both his wisdom and his foolishness conspire to man's undoing--wisdom
which he cannot use aright, and foolishness which makes him fall into
the trap prepared for him. We are irresistibly led to compare this
legend with the Hebrew tradition of the Fall. In both there is an act
of transgression on the part of man. Woman in both brings woe into
the world. That is to say, the conscience of the Greeks and Jews,
intent on solving the mystery of pain and death, convicted them alike
of sin; while the social prejudices of both races made them throw the
blame upon the weaker but more fascinating sex, by whom they felt
their sterner nature softened and their passions quickened to work
foolishness. So far the two myths have strong points of agreement. But
in that of the Greeks there is no Manichæism. The sin of Prometheus
is not, like the sin of Adam, the error of weak human beings tempted
by the power of evil to transgress the law of good. It is rather a
knavish trick played off upon the sire of gods and men by a wily
gamester; and herein it seems to symbolize that tendency to overreach
which formed a marked characteristic of the Hellenes in all ages. The
Greek of Hesiod's time conceived of the relations between man and god
as involving mutual mistrust and guile; his ideal of intellectual
superiority, both in Prometheus and in Zeus, implied capacity for
getting the upper hand by craft. Again, the Greek god takes a
diabolical revenge, punishing the whole human race, with laughter on
his lips and self-congratulation for superior cunning in his heart. We
lack the solemn moment when God calls Adam at the close of day, and
tells him of the curse, but also promises a Saviour. The legend of
Prometheus has, for its part also, the prophecy of a redeemer; but the
redeemer of men from the anger of God does not proceed from the mercy
of the deity himself, who has been wronged, but from the iron will
of Fate, who stands above both god and man, and from the invincible
fortitude of the soul which first had sinned, now stiffening itself
against the might of Zeus, refusing his promises, rejecting his offers
of reconciliation, biding in pain and patience till Herakles appears
and cuts the Gordian knot. This is the spectacle presented by Æschylus
in his _Prometheus Bound_. To deny its grandeur would be ridiculous; to
contend that it offers some features of sublimity superior to anything
contained in the Hebrew legend would be no difficult task. In the
person of Prometheus, chained on Caucasus, pierced by fiery arrows in
the noonday and by frosty arrows in the night, humanity wavers not, but
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