Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
Before quitting the discussion of this ancient tale of human suffering
and sin, it would be well to notice that Hesiod identifies Prometheus
with the human race. His hero is the son of the Titan Iapetus by
Clymene, daughter of the Titan Oceanus; and his brethren are Atlas,
Menoitios, and Epimetheus. These names are significant. Just as
Prometheus signifies the forecasting reason of humanity,[40] so
Epimetheus indicates the overhasty judgment foredoomed to be wise
too late. These are intellectual qualities. Atlas, in like manner,
typifies the endurance of man, who bears all to the very end, and
holds upon his back the bulk of heaven. In Menoitios is shadowed forth
the insolence and rebellious spirit for which a penalty of pain and
death is meted. These, then, are moral qualities. In the children
of Iapetus and Clymene we consequently trace the first rude attempt
at psychological analysis. The scientific import of the mythus was
never wholly forgotten by the Greeks. Pindar calls Prophasis, or
excuse, the daughter of Epimetheus, or back-thought as opposed to
fore-thought. Plato makes the folly of Epimetheus to have consisted
in his giving away the natural powers of self-preservation to the
beasts; whereupon Prometheus was driven to supplement with fire the
unprotected impotence of man. Lucian, again, says of Epimetheus that
repentance is his business; while Synesius adds that he provides not
for the future, but deplores the past. The Titans, it should further be
remarked, are demiurgic powers--elemental forces of air, fire, earth,
water--conditions of existence implied by space and time--distributors
of darkness and of light--parents, lastly, of the human race. Though
some later Greek authors identified Prometheus with the Titans, and
made him the benefactor of humanity, this was not the conception of
Hesiod. Prometheus is stated, both in the _Theogony_ and the _Works
and Days_, to have been the son of Titans, the protagonist of men, who
strove in vain to cope with Zeus. Zeus himself belongs in like manner
to a secondary order of existences. Begotten by the Titan Kronos, he
seems to typify the reason as distinguished from the brute powers of
the universe, mind emergent from matter, and overcoming it by contest.
Prometheus is connected, by his parentage, with the old material order
of the world; but he represents that portion of it which is human, and
which, _qua_ human, has affinity to Zeus. Herein we trace the mystery
of the divine in man, though man has been placed in antagonism to the
deity. The same notion is further symbolized by the theft of fire, and
by the fiction of Prometheus breathing a particle of the divine spirit
into the clay figures whereof he made men. In the decaying age of Greek
mythology this aspect of the legend absorbed attention to the exclusion
of the elder Hesiodic romance, as students of Horace will remember, and
as appears abundantly from Græco-Roman bass-reliefs. To reconcile man
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