Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
[44] In my translations of the fragments of Xenophanes and Parmenides,
I have followed the text of their most recent editor, W. A. Mullach,
not without reference, however, to that of Karsten, some of whose
emendations seem almost necessary to the sense. The meaning of
many Parmenidean sentences may, however, be fairly said to be now
irrecoverable, owing to the uncertainty of readings and the lack of
context.
[45] This and the two following translations from Plato are Professor
Jewett's.
[46] See the treatise _De Xenophane, Zenone, et Gorgia_.
CHAPTER VII.
_EMPEDOCLES._
The Grandeur of his Fame.--His Versatility of Genius.--His
Mysticism.--His Supposed Miracles.--Legends about his
Death.--His Political Action.--His Poems.--Estimation
in which the Ancients held them.--Their Prophetic
Fervor.--Belief in Metempsychosis.--Purifying
Rites.--Contempt for the Knowledge of the Senses.--Physical
Theories.--The Poem on Nature.--The Four Elements.--The
Sphærus.--Love and Discord.--The Eclecticism of Empedocles.
The figure of Empedocles of Agrigentum, when seen across the
twenty-three centuries which separate us from him, presents perhaps
a more romantic appearance than that of any other Greek philosopher.
This is owing, in a great measure, to the fables which invest his life
and death with mystery, to his reputation for magical power, and to
the wild sublimity of some of his poetic utterances. Yet, even in his
lifetime, and among contemporary Greeks, he swept the stage of life
like a great tragic actor, and left to posterity the fame of genius
as a poet, a physician, a patriot, and a philosopher. The well-known
verses of Lucretius are enough to prove that the glory of Empedocles
increased with age, and bore the test of time. Reading them, we cannot
but regret that poems which so stirred the reverent enthusiasm of
Rome's greatest singer have been scattered to the winds, and that what
we now possess of their remains affords but a poor sample of their
unimpaired magnificence.
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