Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
To modern readers the philosophy of the poets whom we have considered
will perhaps seem trite, their inspiration tame, their style
pedestrian. But their contemporaries were far from arriving at this
criticism. To obtain concise and abstract maxims upon the ethics of
society, politics, and education was to them a new and inestimable
privilege. In the gnomic poets the morality which had been merely
implicit in Homer and Hesiod received separate treatment and
distinct expression. The wisdom which had been gradually collecting
for centuries in the Greek mind was tersely and lucidly condensed
into a few pregnant sentences. These sentences formed the data for
new syntheses and higher generalizations, the topics for enlarged
investigation, the "middle axioms" between the scattered facts of life
and the unity of philosophical system. _We_ may regard the gnomic
poets with interest, partly on account of the real, if rare, beauty
of some of their fragments; partly on account of their historical
and illustrative value; partly because all efforts of the human mind
in its struggle for emancipation, and all stages in its development,
are worthy of attentive study. To the sophists, to the orators, to
Socrates and his friends, to the tragic writers, to educated men at
large in Hellas, they were authorities on moral questions; and their
maxims, which the progress of the centuries has rendered commonplace,
appeared the sentences of weightiest wisdom, oracles almost, and
precepts inspired by more than human prudence.
FOOTNOTES:
[49] This seems to have been recognized by the ancients, as is proved
by the lines quoted from Hermesianax in _Athenæus_, xiii. 597, where
the epithet #malachos#, assigned to his pentameter, is meant to be
emphatic. Mimnermus gave it a luxurious and tender quality.
[50] Without attempting to discuss the vexed question whether Tyrtæus
was a native Spartan, or, according to the ancient tale, an Athenian
naturalized in Sparta, his self-identification with the people he
inspired justifies the phrase that I have used above.
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