Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
the wildest, windiest nonsense, and entreating to have a pair of
wings given him that he may chase his airy ideas through the sky.
The phallic hymn, from which in like manner comedy took its origin,
was a mad outpouring of purely animal exultation. Here the wine-god
was celebrated as the pleasure-loving, drunken, lascivious deity.
Aristophanes, again, our truest source of information respecting all
the details of Greek life, supplies us with an instance of one of these
songs, and of the simple rites which accompanied its performance.[82]
In the _Frogs_, also, the Master of Comedy has presented us with an
elaborate series of Bacchic hymns.[83] Here the phallic and satyric
element is combined with something of the grandeur of the dithyrambic
ode; the curious mixture of sarcasm, obscenity, and splendid
poetry offers a striking instance of Greek religious feeling, so
incomprehensible to modern minds. It is greatly to be regretted that
our information respecting the dithyramb and the phallic chorus has to
be obtained from a dramatic poet rather than from any perfect specimens
of these compositions. Bergk's Collection, full as it is, yields
nothing but hints and fragments.[84]
Passing to the lyrics, which were connected with circumstances of human
life, the first to be mentioned are epinikia, or odes sung in honor of
victors at the games. Of these, in the splendid series of Pindar and in
the fragments of Simonides, we have abundant examples. We are also able
to trace their development from the simple exclamation of #tênella ô
kallinike#,[85] the composition of which was ascribed to Archilochus,
and which Pindar looked back upon with scornful triumph. Indeed, in his
hands, to use the phrase of Wordsworth, "the thing became a trumpet,
whence he blew soul-animating strains." The epinikian ode was the most
costly and splendid flower in the victor's wreath. Pindar compares
the praise which he pours forth for Diagoras the Rhodian to noblest
wine foaming in the golden goblet, which a father gives to honor his
son-in-law, the prime and jewel of his treasure-house.
Public-domain text, read in full here on John Shaqi.
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