Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
During the time of the feast, and before and after, for a sufficient
number of days, to allow of travellers journeying to and from Olympia
and Delphi, hostilities were suspended throughout Hellas; safe-conduct
was given through all states to pilgrims. One common feeling animated
all the Greeks at these seasons: they met in rivalry, not of arms on
the battle-field, but of personal prowess in the lists. And though
the various families of the Hellenic stock were never united, yet
their games gave them a common object, and tended to the diffusion of
national ideas.
Let us pause to imagine the scene which the neighborhood of Olympia
must have presented as the great recurring festival of the Greek race
approached--a festival in the fullest sense of the word popular, but
at the same time consecrated by religion, dignified by patriotic
pride, adorned with art. The full blaze of summer is overhead; plain
and hill-side yield no shade but what the spare branches of the olive
and a few spreading pines afford. Along the road throng pilgrims and
deputies, private persons journeying modestly, and public ambassadors
gorgeously equipped at the expense of their state. Strangers from
Sicily or Cyrene or Magna Græcia land from galleys on the coast of
Elis. Then there are the athletes with their trainers--men who have
been in rude exercise for the prescribed ten months, and whose limbs
are in the bloom of manly or of boyish strength. Sages, like Gorgias
or Prodicus or Protagoras, are on their way, escorted by bands of
disciples, eager to engage each other in debate beneath the porticos of
the Olympian Zeus. Thales or Anaxagoras arrives, big with a new theory
of the universe. Historians like Herodotus are carrying their scrolls
to read before assembled Hellas. Epic poets and rhapsodes are furnished
with tales of heroes, freshly coined from their own brains or conned
with care from Homer. Rich men bring chariots for racing or display;
the more a man spends at Olympia, the more he honors his native city.
Women, we need not doubt, are also on the road--Hetairæ from Corinth
and Cyprus and Ionia. Sculptors show models of their skill. Potters
exhibit new shapes of vases, with scrolls of honeysuckle wreathing
round the pictured image of some handsome boy, to attract the eyes of
buyers. Painters have their tablets and colors ready. Apart from these
more gay and giddy servants of the public taste, are statesmen and
diplomatists, plenipotentiaries despatched to feel the pulse of Hellas,
negotiators seeking opportunities for safe discussion of the affairs
of rival cities. Every active brain, or curious eye, or wanton heart,
or well-trained limb, or skilful hand, or knavish wit may find its fit
employment here. A mediæval pilgrimage to St. James of Compostella or
St. Thomas of Canterbury was nothing to this exodus of wit in Greece.
Public-domain text, read in full here on John Shaqi.
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