Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
a relief to fancy that the incest of Jocasta was originally no more
than a figurative way of speaking about the alternations of day and
night. He derives, indeed, the same sort of contentment by this
method as the rationalist who explains the legend of Pasiphaë upon
Euhemeristic principles. Yet it is surely a poor way of whitewashing
the imagination of the ancients to have recourse to a theory which
sees in myths nothing better than a mange or distemper breaking out
in language, and tormenting the human mind for a season. Nor can the
theory be stretched so far as to exonerate the nation from its share of
interest in these stories. The people who made the supposed linguistic
mistakes delighted in the grotesque and fantastic legends which were
produced. Even if words deluded them, their wills were free and their
brains at work while under the pernicious influence. The real way of
exculpating the conscience of the Greeks, indicated both by philosophy
and common-sense, is to point out that in the age of reflection
the tragic poets moralized these very myths, and made them the
subject-matter of the gravest art, while the sages instituted a polemic
against the confusion of fabulous mythology with the pure notion of
Godhead obtained by reflection.
The theory of development which seems to underlie the linguistic
doctrine is, that thought in its earliest stage is positive and clear
and adequate. The first savage who thinks sees the sun, for example,
and calls it the sun; but in talking about the sun he begins to use
figurative language, and so converts his simple propositions into
myths. At this point, argues the philologer, he goes wrong and becomes
the victim of delusions. The fallacy in this view appears to lie in
attributing to the simple and sensuous apprehension of the savage the
same sort of simplicity as that which we have gained by a process of
abstraction, and consequently inferring that the importation of fancy
into the thinking process implies a species of degeneracy. The truth
seems rather to be quite the contrary. If we grant, for the sake of
argument, that the first thoughts are in a certain sense simple, they
have nothing in common with the generalizations of the understanding.
Except in relation to immediate perceptions, their generality is empty
until it has been filled up with the varied matter of the senses and
the imagination. Mythology and poetry are, therefore, an advance upon
the primitive prose of simple apprehension. What was a mere round
ball becomes a dædal world; and it is not till the full cycle of the
myth-creating fancy has been exhausted that the understanding can
return upon a higher level by abstraction to intellectual simplicity.
The same is true about theology. The first dim sense of the divine in
nature as a unity may possibly have been prior to the many deities
of polytheism; men may have looked upon the open sky and called
that god. Yet it was not a retrogression, but an advance from that
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