Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
to maintaining that corruption and disease may be the direct efficient
causes of the highest art on which humanity can pride itself, since it
is indubitable that the poems of Homer and the sculptures of Pheidias
are the direct outgrowth of that "bane of the ancient world" which,
to quote another pithy saying of Max Müller, converted _nomina_ into
_numina_. It is hardly necessary to point out the curious want of faith
in the Welt-Geist (or God) which this implies; the unimaginative habit
of mind we should encourage if we failed to discern the excellence
of a civilization that owed its specific character to mythology;
the unphilosophical conclusions to which we might be brought if we
denied that the intelligence is free while following the fixed laws
of its evolution, and that the essential feature in this evolution
is the advance from rudimentary to more developed thought. Language,
however potent in reaction upon thought, is after all the vehicle
and instrument of thought, and not its master. This leads to yet a
further criticism: granting that language was "intended to be the mere
realization and outward embodiment of the mind"--though this is a wide
begging of the most difficult of all questions--it does not follow
that in mythology language is not pursuing its appointed function. If
the mythological phase of thought is less apparent among the Semitic
than among the Aryan nations, are we to say that this is so because
the Semitic languages escaped the whooping-cough of mythology, or not
far rather because the mind of the Aryan races had a greater aptitude
for mythology, a greater aptitude for art? In the fifth place, the
definition of mythology is too wide for the special purpose of the
problem. Bacon long ago pointed out that one of the chief sources of
error arises from our tendency to mistake words for realities. This
imperfect adjustment of language to the purposes of thought is not
peculiar to the mythopoeic age. When we use such phrases as "vital
force," we are designating the results of observation and experience
by a word which ought not to be regarded as more than a sign. Yet,
because "vital force" has sometimes been recognized as something
positive and substantially existent, we cannot on that account call
it a myth without impoverishing the resources of language, and making
one word do the work of two. The truth, therefore, is, that in the
mythopoeic as in every other age, words have done violence to thought;
nor need it be contested that the _idola fori_ were more potent in the
infancy than in the maturity of intelligence. While concerned with
this branch of our critique, it is curious to observe the satisfaction
with which the advocates of the linguistic theory use it as the means
of rehabilitating the moral character of the ancient Greeks, by trying
to make out that the tales of Oedipus, Pelops, and Kronos owe their
repulsive elements to verbal mistakes. To the student it is undoubtedly
Public-domain text, read in full here on John Shaqi.
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